SIT or SIT review for Daniel Jordan

How many times have we used an object for the sole purpose of using it. How many times have we faced the problem of analyzing the object. Never, perhaps only a few times! Take for example a trivial chair, What's so special apart from its vintage styles or forms. It is made to sit, this is the only purpose of that object.Seeing the show staged by FLIC Circus School of Turin, is not so!Students in the 2010-12 biennium professional assisted by some writers, with the creation of sets of Roberta and Daniel Scamuzzi Pellizzon, under the technical direction of Andrea Avoledo, went beyond the four legs of the chair making it the protagonist of the evening. All together they have gutted the soul that makes it. At the opening of the evening, all quest'accumulo of chairs including supervisors, those present wondered what was so characteristic of her than many conformations, one sits down because he was tired, period! Not so! The show highlights the fact that no one sits usually because he's tired, maybe because he decided to surrender, or otherwise arrived, he was getting at. Do not stop there! These are some of the motivations or facets that the boys wanted to offer an attentive and packed in two days of representation, expressing it in a nice way with her teacher, do not forget that their interpretation is based on Art Circus. A highlight of the show is called, is that two students jokingly finding two identical chairs have improvised a song typical of Tyrol and the Swiss Alps: Jodel. Drafted by the director shall immediately become a pleasant interpretation circus. In closing, to the applause of the audience, the students wanted to give the director Jordi Aspa directed to this interesting and followed them in this spectacular wonders, a painting depicting Crock, perhaps the most coveted prize in the Art Circus! Many names of the performers, all definitely not prepared in their performance, a tribute to the two years he has been able to make them so.

Turin (Italy), April 30, 2012

THERE 'NERENTOLA? review of Daniel Jordan

There are many amateur companies, one of these is the Association icon, which puts on musicals, that's strange you say?There is that unlike other have taken a clear objective: to work for free, dedicating their performances to a noble purpose, that is, allocating the proceeds to charity for charity projects. We saw them in: There Nerentola? A musical comedy that takes the audience to follow the path of the original folk tale probably China, already present in the Egyptian tradition, told in hundreds of versions in most of the world. The company Icon, staged this show in allegorical, the canvas is targeted with a specific intention: to make people laugh at a time of social crisis and growing increasingly difficult, trying to create a moment of leisure. Spoofs inspired pieces consolidated as the "Library of Studio One" and then the intersecarci "The Count of Monte Cristo" and to make matters worse, "The Three Musketeers" and again "The Odyssey" and so on. The choice is not random, fell on one of the most famous fairy tale "Cinderella" over 300 and their variants, with intelligence have ranged joyfully on the texts and songs, films, musical comedies known to the public. Directed by Duilio Brio (as also the role of the Stepmother), on texts by Maximus Ferrarotti, have managed to combine a pleasant Cinderella, played by Fiammetta Parri, Prince, inevitably color blue is Mark Caligaris, the two sisters are Roberto Cafagna and Mark Ostorero the Queen is Angela Bernasconi, in history, there may be a Carletto by the name of Raffaele Cafagna, the policeman then called a Herald Matteo Giunti, as in all fairy tales there is one, Paola De Martini plays Smemorina, we have a Michael Jackson that corresponds to Valerio Viscomi; Luke Duke Francesco Roccato, in the role of Sor Cino, Roberto Latino; mice and Giac Gras Bread and Federica are Stefano Carlino (the latter as also the role Countess of Frivolessa), the Marquise De Deumpa Romoli is Silvia, Countess Martinengo arsenic starring Cristina, and then again the vendor by the name of Fabrizio Ferrarotti; not to miss anything, the Dancers: Elisa Bonomo, Frances Milo, Valentina Monchiero; Stephanie Muraca, and if this were not enough there was still the people who also served as chorus: Rossana Bergini; Nico Ferrero Ferrero Rebecca, Andrea Iorio, Maurizio Picatto and finally Clare Roccato. A show suitable for families, loved not only the children, who have invaded the hall of the Herald Theatre in Turin with their parents.

Turin (Italy), April 6, 2012
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THE HEIR OF EDUARDO DE FILIPPO review of Daniel Jordan

Docks at the pier of the Teatro di Torino Monterosa the boat of theboatmen, theater company that plows the sea for decades of stage,bringing comedy by Eduardo De Filippo and beyond. On this occasion puts on a play that Pirandello more Edwardian, entitled: I,the heir. This mixture makes the piece even more compellingbecause it sees an heir to claim his inheritance, claiming a heritagethat the emotional and sentimental father built in thirty-seven yearsspent as a guest of a family. The presumed heir, to inherit the estate, will have to pull out the skeleton that the family hides in the closet and use it wisely in your favor. Speaking with Gigi Nigro,spokesman and actor in the company The boatmen, explains thatthis is the first time they stage the play, so this work is still a work in progress, but this matters little all'affezionato public has enjoyed andapplauded generously supporting the company confidently. The performers on stage: the good Pippo Rausi; Eva Rossi, ManuelaTomasi; Ivana Zilli, Fulvio Trivero (with Gigi Nigro he directed), followed by Silvia Elias, Hugh Fiamingo, Federica Cabinet maker,Vincenzo Servillo, Elena Ceria, Teresa Amaro. Technical, ChristianAlessi.

Turin (Italy), March 13, 2012

MIND the Juggler Mentalist, review of Daniel Jordan

The show Mind Juggler theater Housewife Cardinal of Turin has been incredible to say the least. At the opening, it took three bags of paper, those used by shops to inside purchases, made ​​by his assistant, described as "very professional" board stage, the simple handbags have been made ​​evident by the charismatic and extraordinary Francesco Tesei, the juggler's mind. He held forth for about two hours by involving the public chosen at random from his inseparable assistant Nemo, a cute goldfish fabric. On Tesei, influential people are in a manner favorable to him, never enough I say. An artist trained in every gleaning, attentive to learn the signals that come out unconsciously by the body individual tramutandone messages to their advantage, surprising the audience. The grace of movement, the quiet voice, the pose nicely with it makes the viewer follows her every movement, every syllable, does not want to miss any moment since it is also in the show and of course makes the game that deliberately Francesco Tesei wanted. It 'exhibition to be seen not to be described, it is difficult to comment. We tried!

Turin (Italy), March 13, 2012

... Review There are no superlatives (now exhausted), appropriate to describe the amazing show - Mind Juggler - Francesco Tesei, the juggler of the mind! The academy should coniarne bran new for him! (Daniel Jordan Posted by lonevolfilm@gmail.com - blog http://lonevolfilm.blogspot.com)