Mr. SGROOG, THE MUSICAL Review of Daniel Jordan

Under the Christmas holidays, it is necessary to present performances related to it. The Academy of Performing Arts has not missed the opportunity by staging a story that appeals to both children and adults written by Charles Dickens, turned into a musical by Mario Rostagno directed by Fabiana Gariglio, while the arduous task was to the choreographer Lucia Carnevale, combine the need to assist and fifty young del'età between seven and twenty-five. Together they relive the story of Ebenezer Sgrooge. Needless to talk about him, is a classic, everyone knows the story of her figure and how to interpret - the art of finance, pointing straight to the things which human beings can not do without - the look miserly and covetous for adding more and more questionable concept as you like, but the work is not so much curious phrase, or history, but change it into a musical comedy. The great Valdocco Theatre in Turin has received the invitation in the middle of the show debuted on 10 and 11 December 2011. Even before the opening of the crowd trod the box office to grab a ticket, a tail ending. The music selected by Paolo Gambino and Walter Orsanigo carrying the public imagination in the right mood, thanks to this scene of Joseph Garau performed in detail. The cast is eclectic - Mammoth - this time in a non-comic as usual we are accustomed to seeing them, but dramatic and intractable, that the role played by the excellent Mr. Scrooge Fabio Rossini and the other, the deceased partner Jacob Marley supported by Diego Casale,chained to wander forever because of his selfishness. The duo is joined by Daniela Freguglia who embodies the spirit of this story (unfortunately taken ill during the show). Since we can not mention all the artists for reasons of space because there are several people who have contributed to both the acting and singing of this great comedy, but we can say a few words in favor of the younger ones that despite the unfortunate incident have been able to maintain their place worthily continuing to act with care commendable. Surely this show deserves to be seen and should be repeated for those who failed to enter. Turin (Italy), December 12, 2011

MICHELE LESSONA inspired by the homonymous book WILL AND 'POWER Review of Daniel Jordan

In collaboration with Prof. Maria Rosa Menzio, comes the show "Will Power is" staged by the company at the Teatro Astra Larsen Wave of Turin, directed by John Mancaruso, needless to say, brilliantly. The play tells a part of everyday life in the Italian family Lessona nineteenth century, precisely in 1867, the Foreign Minister Frederick Menabrea entrusted the task to Michele Lessona to write a book drawing examples from the lives of Italian citizens. After two years, with the help of his wife and his daughters, he succeeds by writing a "best seller" for more time to the book inspired by Samuel Smiles: The comedy is useless to linger as it was recited in a commendable way . I would like to dwell on what causes the Larsen effect. As we all know is the effect of a sharp onset of any instrument. I wrote not as sharp unpleasant, but to better understand that if a Larsen effect causes this, think what could happen if you add the word Wave, surely is disruptive! The actors who make up Wave Lasers are all deserving of applause, professionally prepared, each of them acting, writing and directing plays very well without deceiving the public. In a few years they have been able to take in the theater scene with the dedicated effort that deserved to tests for the work to be staged and then subjected to critical assessment of the public. The craftsmen who make up this "tsunami" wave called Larsen are (in alphabetical order): Vanina White, Richard de Leo, Irene Forneris who oversaw both the story and script, Gianluca Guastalla; Mancaruso John; Pratolongo Alessia, Thomas Tinker, Tomatis Leah, Andrea Zirio. While the show is Will Power, is to be reported for the sets Ottavio Hood, Claudio Meloni lighting design, the choice of original music by Mauro Ronca.Che are saying ... like! Turin (Italy), November 28, 2011

CinemAmbiente 2012 - Call for Entries

CinemAmbiente 2012 - Call for Entries
The 15th CinemAmbiente - Environmental Film Festival will take place in Torino (Italy) next May 31 - June 5 2012. Competitions include environmental films produced after january 2010. Submissions are open - Entry-Form and Rules are available here. Visit the site Environmental Film Festival
Official Submissions Deadline is march 15th, 2012.

Turin (Italy) 19 November 2011

THE STREETS OF SWING review for Daniel Jordan

Monica Genesio, singer, and so in love with while reading a book: Lady Sing The Buesa. Louis Armstrong aka Satchmo The famous, defines it as an icon of his performances, but who are we talking about you say, the renowned Billie Holiday, whom he touched with his emotions voice of the greatest blues players, his way around human and intimate talk with the swing. During the interview, he says. So I started to analyze texts and study an appropriate repertoire of songs that I wanted to convey the idea and image of this person, trying to capture these characteristics carefully. My research on Billie was a deepening in parallel between the book and listen to his songs. A troubled life of the Holiday, the story of the book describes the moments of his life, do not forget the color of his skin at that time was playing for the people of the south as a "dirty nigger" system that only works of the lowest order , let alone a female figure dedicated to singing. I was still absorbed in Genesis, surrounded by the world of which she was a member, raped, mocked, and who knows what other strange things, I got carried away in that dimension, as when it is sucked into the time machine. It 'was for me to relive all the experiences with the music player which I pursued in my show with the help of Dario Berlucchi Meinardi Paolo on guitar and piano.
This is what he wanted to play by simply reading a book a stall of used occasionally found on our good Genesio Monica, giving rise to a route from Baltimore listing step by step the story of Billie Holiday (then twelve), up to sing with the most influential musicians, to end our trip to New York, sinking in the musical culture of the 30s - 50 creating a show that goes beyond the imagination, not only for devotees of swing. The narrator of the radio drama during the show is Claudia Cotza, his voice has been able to read with the emphasis moving it to the viewer right in the honors size. The journey for our Monica Genesio is still rising, not for his skill, perhaps because of the stupidity on the proposed musical genre.

Turin (Italy), November 14, 2011

TOHORROR THE AWARD review for Daniel Jordan

The award is given to authors emotions as always, loving the words of Matt Farnsworth and Diane Foster Prize Margheriti, the threat of return to take us by Marcus Miller the Orphan Killer Masked and barbed wire came out of nowhere in the shadows porches of Savoy to get off the stage since. Thus ends the eleventh edition of TOHORROR FILM FEST, absolute winner sees the film director Michael Steiner SENNENTUTSCHI with approval and enthusiasm of the audience, a well-made films from all points of view that are unnecessary to list, for short films: WITHIN DARKESS directed by James Kendall, the demeziale BRUTAL RELAX, done with irony by Spanish directors Adran Cardona, Rafa Dengrà, David Munoz, director of NUIT BLANCHE Arev Monoukivan, as well as having a special mention these two films directed by Maurice and the Hounds of Robert Small and the film director Raffaele Picchio MORITURIS woodpecker, are winners of the prize Anna Mondelli. The wonder of Bronzo Claudio and Stefano Lotti, producers of THE GERBER SYNDROME. A great award to Robert Morgan Master stop-motion animation in his work seem authentic poetry. Thanks to the FRIENDS OF THE MAGIC club from Turin (Italy), who has graced the spaces between the projection and the other, not least the hospitality of the local BLAH BLAH and all his staff.

Turin (Italy), November 14, 2011

Third Evening TOHORROR FILM FEST review for Daniel Jordan

We arrived at the third evening of ToHorror where, last night was the Blah Blah Regional premiered the feature film The Hounds of Maurizio and Roberto Del Piccolo. The plot: An evening spent at the Pub, four friends decide to spend a weekend like old times. Meanwhile, precisely parallel organization called The Hounds of the dwelling in the forest friends who wish to camp over the weekend. Surely the trip turns into a terrifying and gruesome journey. Another feature of Gabriele Albanesi titled HORROR SHOW UBALDO TERZANI, the plot: a young horror director struggling with his first screenplay for the film producer who does not meet the recommended Alessio (name of the director) to ask for help Terzani. His charisma left, helps to create an ambiguous relationship between the two, mixing reality and fantasy, dragging the film in a spiral of madness and nightmares. The film was produced with the support of the Film Commission Torino Piemonte. Projections for the short films we have: HORN Tak Kuroha, runs pretty good, expresses all the anger that comes out of being in the same situation, however, thank goodness it's only fiction! Following a short already presented entitled: 7 BACK SORTIRA 7 Serena Schinaia and Francesco Niccolai. It 'a serial combined with others, becomes a movie, no matter if you start to see number one, or five, all rejoins without losing the thread, beautiful and innovative. We continue with NUIT BLANCHE Arev Monoukivan directed by two unknown people are attracted to in a moment unreal but equally fascinating load of heat of passion, to return to the palpable truth, this is not bad. With director Fabio Scotellaro and Peter Formica enter a ecclesiastical college, the film is titled: Ego te absolve. Following his dog, a girl enters a seminary abandoned, but as in every horror movie is always crowded with presences, almost always evil. Steve Daniels has a nice film of its kind where, interwoven love and hatred towards a creature of evil. Turning to a western metropolitan director Stefano Salvatori, whose story tells of the death of a child who is forced to return to an ancient curse in life he is forced to shoot him, but not succeeding because the bond that unites them, gets a lethal bite infected and in turn, apart from the diction of the dialogue, you may also enjoy. Then it happens that in this horror there is always the comic side, as the story of director Adrian Cardona, Rafa Dengrà, David Munoz: BRUTAL RELAX. Insane from start to finish on a character who needs serenity, must not be angry, since in him unleash devastating fury. Performed with grotesque irony, is a comic spatter roared with laughter. I would say that in the contest of good points. The evening continues with the feature film INGLOURIOUS Hunterz (second part), is a serial web, after the - Predators - yesterday, now - Golem - tomorrow will end with - The Circus of the Dead - the grotesque irony, as well as viewing a movie buff that quotations B-Movie. The jury this year includes: Andrea G. Colombo Horror.it Director responsible for the site; Gabriele Farina blogger, journalist, John Minerba director of the most important festival in Europe, the GLBT, in the task of assigning the Cleaver (Prize of the festival) to the best feature film. Instead Cleaver to award the best short film: Richard Fassone Nocturno Cinema editor, reporter Andrew Lanza, Donato Sansone video maker. For the script two members: Alejandro De La Fuente documentary, Giancarlo Marzano writer of comic Dilan Dog one of the most popular. To them the just sentence of the winners. In our opinion, the losers will not be completely defeated. The prizes do not end there, however, there will be a prize for the inventive craft area in honor of the great Antonio Margheriti; for the talented youth of equal dignity in memory of the founder of Anna Mondelli TOHORROR film fest, the one-garde Experimental & Mutations and finally the Best Zombie Cleaver in 2011.
Turin (Italy), November 11, 2011

TOHORROR CONTINUOUS review for Daniel Jordan

Second night of the eleventh edition of TOHORROR film fest in Turin, the public was made to wait for the Blah Blah meet the authors of the literature Horror: Astori Cristina, Andrea C.Cappi and Stefano Di Marino, while it consumes Apericena is usually entertained by the Friends of Magic and immediately ready to attend this long evening to enjoy a touch sensitive and has directed the animated film The Separation, the plot, twins Siamese are separated by surgery, the trauma will mark them for life. In 2004 the work was awarded a BAFTA Wales. Immediately after this beautiful animation touches sue for right to record, we have indeed scriviamolo: Hunterz INGLOURIUS Luca Baggiarini a sprinkling of craziness. We do not add more. We preview the work proposed by the directors and Mathieu Ducasse Cesar Pateu DARK SOULS a noir in which a girl was attacked and apparently killed. The father has just received the news when the door, she appears, then begins to exhibit strange symptoms. Happen in other cases of assault, by the same maniac armed with a drill, and the victims all have the same symptoms. The protagonist, not satisfied with the poor results obtained by the police, he begins to investigate. Meanwhile, none of the public is taken down from his position, the place is sacred, especially when you want to continue this fascinating world of horror with another first, the film by Michael Steiner called SENNENTUNTSCHI. The film set in a small town in Switzerland, a complex history of an alleged suicide and the disappearance of some pastors and the arrival of a mysterious female figure from the primitive attitudes, making havoc among the villagers of the place, we will not dwell on the plot for no you lose the anxiety, but it is a film that deserves. The story is well told, beautiful environments, as are the cuts photos, the script runs, all edited to make it pleasant to those present in the room. Now we turn to the courts scheduled for this evening. We start with TRINIDAD directed by Andrea Gandolfi and Sergio Meixer Colman, a short spring, repetitive and unnecessary scenes, rather than tell the story of "Mary" and focuses on all the video makers put the journalist, who should take the lead , which then in fact there is a protagonist to be discussed. We continue with PEOPLE, directed by Matthew James Balzaretti, acceptable script, with some actors prepared the figures are people who act and speak normally, it may be too young figure of the policeman, but the story could stand. This is a title of what may be called capable. SERIAL KILLER BASTARDS! KILL! KILL! There must be an explanation in these repetitions in the title, but right now concern ourselves with the work done by director Antonio Zannoni, the plot comes to fugitives who seek to recover the loot of a robbery earlier that season with the guignolesco. And 'the title of the short-time director Michael Guerraz SPIRAL, nice script, the whole sequence including special effects well done without getting lost, while repeating, but this was the meaning of the title, nice to load a movie at the same time they seem almost ... a fairy tale for adults. Are on the threshold of a film director Stephen Cucinotta is not bad-looking, there is little to say. We end the evening with the title of director Miro 8 Laiho, a beautiful film, takes cues to identify the directors of his choice, without copying their works, but putting an asterisk recall in his work. The screenplay, as well as photography and interpretation are very good. We conclude by paying tribute to Mark's head, which continues to provide to the exhibition letters after letters, not just a result of their history but strong emotion attached to the public TOHORROR the film fest.

Turin (Italy), Thursday, November 10, 2011

TOHORROR XI EDITION review of Daniel Jordan

Officially opened on TOHorror Film Fest, wanted by Anna mourned Mondelli, carried out later by president David Saggiorato. And 'perhaps the only one gender of the peninsula that transports us into the world of fantasy and horror, where we all love or disdain. Two apparently similar but distinct situations. We said that the wait for the eleventh edition of passionate TOHorror Film Fest began its programming, presented the artistic director Massimiliano Supporta and his tireless staff, one for all Erika Supporta, the pleasing scene, curated by Simona Scotton. To host the competition this year is the BLAH BLAH Via Po in Turin (Italy), more central, so to speak, but no less attractive than before, for the nostalgic meeting place is the old King Kong, which lends itself to many attractions. A place that welcomes since it opened with an early morning breakfast customers, or lunch for those who are passing through or for the usual loyal, a gathering harvest, well-managed, become a staple for everyone from young artists in general. In the evening, I expect her Apericena! Let us return instead to talk about this year's festival, each year selects a thread as a theme this year is the time: To me the eyes, the look discreet / indiscreet that arises between the victim and spectator, the conscious and the ' unconscious, this is creepy! What is not is the presence instead to stay on the subject are the Friends of the Magic, founded in the mid-60s by a small amount of friends who love prestigitazione, the club was born, and here the architects of that time: John Traversa( President), Victor Balli (Vice Chairman) and Cipriano Candeli (Secretary). Association, not really a club that finished its work in June 1968 to resume later, but that's another story. But this has continued for eleven years, with 7 works well in contention for the gleaming blade, 24 short films, 11 screenplays, as well as some special awards. When it comes to events promoted black literature, special effects. Distinguished guests, previews, new recruits. Besides exhibitions, performances and so on and so forth. The evening of Tuesday, November 8 Dejoie Maxi has a job with the movie The Gerber Syndrome developed in the footsteps of a film by David Cronenberg with actress Barbara Steele, Paul Hampton, title Shivers (Canada) 1975, released in Italy with Title: The Shivers. It tells of a doctor and his discovery: a parasite. All the infected people are possessed by murderous intent, there is no cure, death occurs at the third stage. As always there is a chance to avoid death, but the treatment has side effects irreparable, devastating, are tremendous: to remain for ever a vegetable! Meanwhile, the parasite has spread like the plague and contaminates the city. Cronenberg's film is not like the criticism, as a substitute for this questionable by Maxis, while for the short films we screened out of competition: The man in the lower left hand corner of phothograph Robert Morgan (GB), a filmmaker, teacher of ' stop-motion animation. Ranging from horror to drama, Morgan's work touches on areas of genuine poetry, solitude and horrible degeneration. In competition: Interchange - Spain directed by Antonello Novellino, tells of a country devastated by the kidnapping of the crop by the city authorities. As the people continue to live without food resources? Granted a plot on the kinds of cannibalism. Follows: 108 FM Radio - Italy-directed by Angelo and Giuseppe Capasso, the plot. A motorist, a hitchhiker, a radio program. Journey into paranoia rampant. This also revived and revised by a famous film, but still a copy, except for the ending. Another headline: Amarmort - Italy - directed by Luke Baggiarini, tells of old films, Fellini found the master, you'll understand? Nothing special about the story. A grotesque Christmas story: Bloody Mary Christmas - Italy - directed by Claudio centimeri, it is almost midnight on Christmas Eve ... get to cheer the guests and family to deal with a rather unusual Santa Claus, this too without any emotion. The evening ends of the musical notes of a group whose name says it all: The pyramid of blood. As the first opening night expected more, but not the ToHorror Film Fest is to denigrate, he always starts up ... to get through with resounding applause!
Turin (Italy), November 9, 2011

LIONS, AN EVENING AT THE THEATRE CHARITY review for Daniel Jordan

A charity evening to Friday, November 4, 2011 issued by the Lions International Theatre Superga Nichelino (TO). The proceeds of this wonderful evening was donated to the House of Hospitality "The Madonna" Candiolo (TO), a non-profit purposes without economic, run by volunteers, which are always on the search continues. Every day the "home" and involved in offering help and support to relatives of patients admitted all'IRCC (Institute for Research and Treatment of Cancer) who want to stay close to loved ones. The evening presented by the Lions always starts with the Chinese National Anthem and the salute of the International President of the Lions this year is Chinese-Wing Kun Tam, followed by the innate and then come to our European memorable National Anthem. The audience watched with excitement addict remained standing the whole time. For the occasion, the Lions Club Presidio Stupinigi Candiolo 2001 - Nichelino - Vinovo President Antonio Constantino, in collaboration with the Association in Piedmont Marechiaro Bell presented the Group Theatre The Melannurca, with a delightful spectacle: Stardust. The representation was forwarded to other cities in Italy achieving success, proposed for the occasion here in Turin by taking an overview, starting with the Variety Cafe Chantant until the war period. And 'the curtain raiser in the time of World War II (on this we would have to write an entire chapter), which closed many theaters and theater companies were forced to go hungry, the reality of life lived in a comic made of the time, musically led by two musicians, Renata Seranella floor, Marco Napolitano on trumpet. The latter has worked as a musician for the great Ennio Morricone. This pleasant evening sees the interpreter Antonio Giuliano comedian, host par excellence, the texts that he cared for and played in their double - meaning, the pace of play scenes involving the audience with his humor like that in the shoes of Annamaria Melchionna Beatrì of that just to get a job he agreed to cooperate with the comedian Felice Panzanella, finding himself very well in the part assigned. Madame Anna Bombà is the nice Anna Donadoni calatasi in character and full of gestures, what about the good Salvatore Vastola, but when he came on stage "Fru Fru Florette" starring Christina Giorgetti the good and beautiful, the stage was all a flutter and perhaps not only the stage, the entry of Vincenzo Russo with its many changes of character, a pleasant typical Neapolitan clown, not the end, the company continues with Nini Tirabuscio played by Daniela Balsamo with its spectacularly melodic songs and assisted by Marta Lembo which contained attractively choreographed dance steps and his works sung. Among many difficulties and suffered battered company, and Happy Panzanella with little money, however, able to face the scenes even going in a provincial theater. In our reality, the audience laughs, and even is involved, it is easy to interpret the songs. The company suggests a glimpse of that time with a rotation of songs and operettas, and parodies the famous cafe chantant to make the two acts of the play Stardust, loosely based on the eponymous film starring Alberto Sordi and Monica Vitti. The name chosen by the Theatre Company is derived from an apple produced in the Campania Region: the Winter Apple ... exactly!

Turin (Italy), November 5, 2011

NOTICE

Dear Friends, readers, the page you are reading has been translated by google, there may be errors in translation, the original article you can read it on my blog written entirely in Italian and without translation errors. The address is http://lonevolfilm.blogspot.com Thanks and keep reading.
Daniel Jordan

DRACULA THEATRE review for Daniel Jordan

DRACULA THEATRE review for Daniel Jordan
A Dracula that still do not know, no movie theater, but Bram Stoker to Hamilton Deane and John Balderton. A text staged in 1897. It was soon destined to the archive, commonly called trash! Maybe that's why the director Antonello Panero is three years that continues to suggest, again on the feast of Halloween, as it happens always at Herald Theatre in Turin, where an opportunity for the public, that affection comes disguised. He, always looking for new ideas, change the script often turning to give new emotions, unlike those shows that hold the box office for years. Thealtro with the theater company, the claims, are only in office that everything is done for the best, and doing so with the conviction of the form. This Dracula, cut and a lot of details see the actors as they really are, without tricks or special effects, are vivid images that the viewer sees only the glow of lights, making the image of the actor starring in a light / dark significant impact, without setting sparse sets but essential to make visible to the user the representative image of the scene. The lights, worthily placed by Peter Striano, make it even more influence on public transport in the dimension that the drama wants to be. The music suited to the states, selected and refined by Roberto Cortese, leave no space, accentuating and involving the audience. The interpreters of this beautiful are in order of appearance: a good Massimo Chionetti; Giorgio Perona, Marco Armellino, with excellent performance in the part of Renfield, Enrico Cravero: Patrizia Schneeberger, Manuel Somma; a good Lusy, played by Veronica Scilla; the curator of that, the Dracula par excellence, Antonello Panero which has re-written in "his imaginary" text more urban and theatrically acceptable, without having to have a nurse in the room ready to give salts in which case someone would faint.

Turin (Italy), November 1, 2011

OICHI SHAMHNA - HALLOWEEN review for Daniel Jordan

We are in the Halloween period, a nice custom come down to us from America, as everyone thinks, but the origin of the tradition is in fact far from the Irish origin of Halloween, or as it is called in Gaelic the Oich Shamhna god of winter and darkness, is typically connected to the Celtic festival of Samhain, Samuin originally written, historically maintained by the Gaels and the Celts and means roughly the end of summer. The legend, that on this night anything can happen. The doors of the kingdom of good and evil, leaving open out their spirits. It is said that of all the demons, the most frightening is Puca, the aide of Samhain, so the children dress up with horrible masks so that no demon can Puca, much less approach them. This could be the plot of a horror movie, but in reality the show on Sunday 30 October at the Teatro Crocetta of Turin, was not at all creepy, even the audience was packed with children dressed in keeping with the occasion. Yes, because the theater was scheduled for a fairy tale for adults and children in music festivals on the note. A fairy tale with a lot of actors and a quintet instrumental, composed by Yuri D'Agostino, actor, Patrizia Lomuscio, singing, Ficarelli Francis, violin; Marguerite Monnet, cello, Charles Lo Presti, guitar, Alessandro Molinaro, flute, last but not least, the soul of the show, the talented Kay Mc Carthy, vocals, Celtic harp, and bodhran (translated means deaf), a drum (maybe the only) that plays quite differently from the others, makes a sound like the beating of the heart. Kay, a native of Dublin profound scholar, connoisseur, spokesman for the Irish musical tradition in Europe, estimated abroad, has dedicated his life to making known studies Gaelic and folk melodies, recovering the true origins of Halloween. His stories, suitable for adults and children, without in any way they can get scared, even the children are careful to seize the moments that are maybe a few adults escaped. A party thus able, for the seventh edition of Micron in its review of Chamber Works of which is the Artistic Director Roberta Faroldi, but also not only to celebrate the 25 anniversary of the Cultural MITHOS under the artistic direction of Antonella The Presti.

Turin (Italy), October 31, 2011

A THEATRE FROM 21.00, tribute to singer MINA review for Daniel Jordan

At 21:00 a theater, the curtain opens, the buzz in the room fades ... the show begins! Thus began the concert at the Theatre-Cinema Housewife Cardinal of Turin, recently renovated, early aggressive management and professional choices will begin with the planning of the 2011/12 program, one of them has presented the show, a tribute to the singer, the Mina. To talk about this tribute, we have to go slightly back in time to understand the meaning and why. Do not just get up one morning and sleepy muttering to say, we do a tribute to the great singer. Galley was the recording studio ... or maybe not! A project born to play, knowing that the delivery could have had a difficult labor, now happily passed. Yes, because Viale Mazzini, besides being the name of a street name is also courageously the complex music of which we are talking about. Every single member comes from different experiences in music, with a background behind the stage proved worthy. Generally, when there is a musical you do differently this time is welcome to give space to the component that is rarely known in the complex because it is always segregated in a manner not to be seen in contrast to other components, we are talking drummer Luke Giolo , investigated the sounds, they do play with another musician bassist Federico Croci, few bassists who move during their performance with swing listening to the vibrations of the music that comes out of his instrument, the guitar Polimeno find a good angel, to him This situation must be combined randomly union after hearing a song sung by Mina from Cynthia Bellini: the voice, the life breath of all, calmly inform the public not to be shy and becoming familiar with the songs sung by her. Singing "Tintarella moon" people in the room not expecting this, were no longer in his own skin, beginning the audience picks the invitation to sing with her, "surfeggiandosi" in the seats, glaring joy. The Bellini in some respects, in particular colors of light may also have a slight resemblance to the singer, but if someone thinks that somehow the singer Cynthia Bellini during the show you want to photocopy it wrong, all of them aspire to make a tribute to the estimated great, inimitable Mina ... and succeed very well! A treat was added to the group, a particularly delicious, the bow held by delicate hands of Anna Maria de Simone vibrate the strings of the violin emitting soft sounds that create the right atmosphere in which the show is steeped. Between songs and the other, a figure is around during the show, not the usual catchphrase, you could define a character who knows the right time to get on stage, alongside words to the songs sung with soulful vocals, the set of equivalent Bruno Romeo, indulging in a nice sketch, symbolizing a devil.

Turin, (Italy), October 31, 2011

AMNESTY movie review for Daniel Jordan

Crowded that evening sponsored by the Piedmont Movie Cineport not only to present the program of the festival which will take place from 06 / 11 March 2012 in Turin (Italy), but for inviting a guest is his film, presented recently at the Berlin Film Festival , Bujar Aliman, Albanian director who premiered the film Amnesty. The Albanian community has gathered at his call "peacefully invaded" Movie of the room Cineport so much so that people have left out the second round had to wait to see the film.
review:
... The film is the mirror of one or more families living Provincial Economic issues / policies of a people still tied to the traditions. It tells the reality of two presences that now exist in Albania, are in conflict with each other, they run parallel, sometimes even crossing and when this happens ... The drama becomes a director Bujar Aliman, this film has an emphasis on issues such as the ancient Patriarchate unfortunately still present and express the desire for freedom, that individual. Universal word, but when these two worlds meet, the drama is born creating sometimes tragedies, of which all the characters are victims. The photographic cut, the color of the images in the film "Amnesty" by director Bujar Aliman are searched thoroughly reflecting the Italian neo-realism ...

Turin (Italy), October 31, 2011

NOTICE News for the reader

Meanwhile, I remind you that the translation was done by the translator of Google, so there may be errors, I apologize to my readers. All these reviews are in Italian Blog http://lonevolfilm.blogspot.com
Begins as a young aide during the events of that work remains fascinated. Choreographer, costume designer continues as an extra driver and TV presenter in the Square events and theatrical performances. Head of the Valle d'Aosta Piedmont Liguria and Tuscany, among the most prestigious singing competitions and fashion shows Mrs elections. His disposition led him to be personal manager of singers and bands, including some people are already established. Working with major TV networks remained there for a long time, writes texts, often leads to obtaining the same by the audience. Continues within some cultural associations getting jobs for their events. Training in the entertainment industry led him to experiment with new works, film buff, decided in 1992 to follow this new path without disrupting the bond which unites him to the shows, devoting himself to the screenplay as an independent. His life path has not always been easy, everyone would have surrendered, but he did not, indeed this has spurred on to reach the proposed target.
Interests: EventiSpettacoliPresentatore Film Screenplay

A COMEDY ALL IN PINK review for Daniel Jordan

So much so as not to miss anything, Turin has its own cabaret in pink, the only of its kind in Italy. Yes, all female. The debut of the 2011/12 season began at Herald Theatre, the stage is predisposed to enter the scene Femina Ridens, captained by Viviana Porro a show that in these days celebrating its birthday. From the stage characters of both sexes emerge that the public willingly accepts. To take the lead is Cristina Maffucci, followed closely by a character commented by Desirée Icardi, found nothing wrong with: - man in nightclub approaching a woman with a cigarette, you know how to make him turn - continues the hilarious comedy of Paola Ruffo, only to see it you can not help but laugh, so much so that the applause to stop the punch line, involving the actress almost out of character. The roundup of humor continues with other stand-up comedian: Elena Ascione, Federica Ferrero, Annalisa Arione, Laura Grassi, give the best of themselves to the public of the Herald Theatre with their find. All guests of chermesse, until the arrival of the talented Vanessa Giuliani, known to everyone in the world singing the French, almost a guest star, incomprehensible language, you can not understand how linguofono (a combination of Franco-grunt) is expressed. Plays a famous French song that has nothing even the hint. The new character to a tee, it's part of it, structured in a simple, very ironic and appreciated by the audience. And then other people ... and again ... again. If you want to spend a carefree evening, different from the usual do not forget the next appointment.

Turin (Italy), October 20, 2011

THE WHOLE IS NOT 'MY STRONG review for Daniel Jordan

A theater association that deals with civil theater. The artists presented at the Herald Theatre in Turin on his musical comedy, sometimes considered to be secondary, perhaps because we are not accustomed to attend their performances. A sophisticated comedy and passionate in the depths of everyday life among the aspects of everyday life, it takes inspiration for his work. In the show entitled femMinaVagante, there is a swirl of actors as if they were the souls of a single female character ..., staged mixing - theater and song - Speaking of women today, without being accused of feminism, a movement is in fact complex and heterogeneous, developed with unique characteristics in each period. Disengage from the male-female concept is almost impossible. The show continues in a succession of steps, and scene changes that are intersected by the witch-hunt to the law on assisted reproduction, from the thought of Simone de Beauvoir and Kate Millet, reviewing their own way of Freud's thought, is still dominant. Passing between the serious and the facetious, and medical evidence hints on gender differences. In order not to miss anything, on some ironic similarities between the two sexes, explained with ease and laughter from the audience. The show that is the result of a process of documentation, study, and comparisons of calculations which followed the writing of the text of the script that the theater company that wants to give voice to women so feared, speaking a language understandable to all, that of 'artistic expression. A single character: The women!

Turin (Italy), October 18, 2011

THE MAMMOTH,THE DEFINITION review for Daniel Jordan

Perhaps not everyone knows the difference between a Mammoth and a woolly mammoth! And 'the academic to make a difference! Apart from this, the mastodon Mammoth belongs to the family of Elephantidae, unlike the mammoth (without the academic) is an electrical terminal block. All this to introduce a cabaret review on the creativity of two figures: Casale Diego (the mammoth) and Fabio Rossini (the terminal). From this union the result: The Mammoth. Ingenious idea, to give meaning to the name you choose! Two comedians from subtle gags, full of verve, eclectic, their union was born during an evening in a theater debut in Turin dedicated to a great dell'avanspettacolo: Macarius the Great, the famous - The Favor - dear to the public in Turin. It was 1996, a date that seems distant, as I wrote in a review of the time I Mammoth are extinct, even with their slow pace and their survivors are found making strides. Appreciated not only by the Turin public, today staged a comedy about the relationship Male / Female and its frustrations. A combination of Diego and Fabio what they like. Unnecessary to list what they did in practice everything from television to film and everything that we can stay inside, they were present. Who does not remember that catchphrase: it's my turn? Each young person was young or not ready to repeat it. And yes ... from the prophetic date, there have been successes!

Turin (Italy), October 16, 2011

HISTORY OF COMEDY Review of Daniel Jordan

With the word "Cabaret" are defined as entertainment shows consisting of songs, skits and monologues of mainly satirical and outrageous. Usually, the representation takes place in a local small and intimate, attended by a limited audience that during the play may consume food or beverages. Lags behind other developed European countries, the Italian Cabaret rooted through satire, where artists found in these refined the ideal setting in which to express their talent. All this to connect to the cabaret presented on Tuesday evening at the cab 41, a local historian, Turin, where for some time stop Beppe Braida, not as an artist but as head of comedy, featuring a bunch of artists selected on purpose, to cheer evenings' sign of good mood, but not only. The role is played with dignity, the work plan as he's concerned is projected in the near future, if not present, there are many requests for artists from all over Italy, desiring to perform in local Turin, not elsewhere. The foundations were made, halting the artists, producers begin to move. What is the dawn of another gem for the city to have found the right venue and a cabaret? Let's go back to what happened during the show, where you have seen some new faces and others known to perform on stage at the Cab 41. The pace did not leave empty spaces to annoy the public, the exhibition of a dozen artists, perhaps, a succession of laughter and applause bestowed to artists by an educated public, demanding and attentive. Worth noting is the exhibition of "French singer" Vanessa Giuliani with his interpretation of "Malafemmena" and yet, how about a gourmet recipes indecipherable, able to churn out delicious delicacies, highly refined food superfine ever experienced, known as Vito Garofalo . The series of performances: Lap Dance, Burlesque, The Matrix, Angel City, Cupid, the Guitarist, the Chief Executive, Robin Hood-Harry Potter-and others. A new character faces in the limelight, it's an American graduate of Harvard University, played by the talented Giampiero Perone, who stars as Bill Gates, with his hilarious gags appreciated by those present. All of this is the Cab 41 in Turin, thanks to the family Fasoglio.
Turin (Italy), October 5, 2011

WAITING FOR GODOT Review of Daniel Jordan

IN 2, as two homeless Daniele Ossola (Gogo) and Angelo Patti (Didi), loosely based on, give life to the drama of the most famous play by Samuel Beckett's "Waiting for Godot" in which a succession of incoherent speech and surface without meaning or purpose, as is the Theatre of the Absurd. From their conversation, trivial, or using such popular comic effects, there is the nonsense of human life, where sometimes you laugh at others, is reflected. Continuous complaints by Dodo on the cold, hunger, in addition to all this comes out of their way to be, trying to live without the other loose, coming to think of suicide, you will understand to be the 'one of the other half, waiting for Mr. Godot to arrive, but he never appears on the scene, only to send a boy by two vagrants, who will announce that at a distance "will not be today, but that will come tomorrow" , referring to his client. The book is divided into two acts, the plot is reduced to the essentials, as well as the set except the weeping willow place like an hourglass, to mark the passing of time through the leaves have fallen. The mimic gestures of the protagonists are essential, just in time, according to the two artists, it seems to sometimes be a circus.
Turin (Italy), August 5, 2011

THE WORD "FREE" SOMETIMES MAY 'FOOLED (The Bald Cantari E. Ionesco)

The desire to make theater is now known, there are good actors and less, others do not count. Then there is the category of directors who take the stage plays written by themselves or by others, trying to overcome or at least be close to the artist's main piece. There is another category is not very well defined, perhaps because young, but ready to try and come forward with their ideas then they are welcome, the risk for them is great! Some kind they try without success, others succumb to the weight of the play, but some people risking and, perhaps reading between the lines written by the great authors, can fathom putting something decent on stage a show, sometimes surprising. The reference alluded to earlier, is not random, was played by cunning. When we read, we attract just the words written in large, this is done to attract attention, in terms of prestige is defined as a distraction. Without making too many turns of phrase, the comment is intended for the theater company New Forms, in a sly poster written in a "freely adapted from The Bald Soprano" by Eugene Ionesco, but the title of their play is "The Singing" All presented ' Arena S. Filippo di Torino (Italy) with the actors: Simone Faraon (adapted and directed), Sergio Cavallaro (choreography and artistic direction), Monica Iannessi, Paolo Mazzini, a good girl Francesca Roi, Davide Faraon (audio), assistant director Corrado Trione. In short, the new forms, he made his comment about what Ionesco said during the writing of this play, they have not staged the play, but the anticommedia, a kind of friendly mockery, a comedy in the play, trying to stay within the parameters of the original comedy of Ionesco, who put on stage in Paris in 1950, was anything but a success at its first, had to wait five years to get it, unlike the theater company New Forms with "The Soprano "that has emerged on the same evening, shared by all the public intervened in the beautiful courtyard in the evening ... it was.

Turin (Italy), July 31, 2011






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FEATHER & SEQUIN the show, review of Daniel Jordan

Before talking about "Feathers & Sequins" or life in the shoes of three drag queens, you should at least know the meaning of this word. Before the widespread use of the English term Drag Queen, in the colloquial language is used this term to refer to any part of theatrical costume of the opposite sex, even outside the music and opera, for example, in idioms like "acting en travesti "or" actor travesti "or" comedy travesti ". The use of "transvestite" was a sudden movement at the beginning of the nineteenth century, Baroque and neo-classical work, you already know in Donizetti's operas, in this case is frankly farcical. In French, means "travesti role" in contrast to English, translated into a pseudo-French travesti, the Italian translation uses the form "disguise" as a masculine noun invariable, with the significance of the role entrusted to actor / singer of the opposite sex compared to the character, the more correct translation is still in disguise. Apart from that, the performance held at the Arena S. Filippo Via Maria Vittoria, 7 in Turin (Italy) entitled feathers & sequins, is a journey across Italy today, the loneliness of three drag queens, joined by a true friendship and true love, between bars in the suburbs, where prejudices are at the doors, closed minds even as an egg, however, be able to arrive at a time in Sicily to make the show with dances and songs. The performances are always accompanied by an irresistible self-deprecating humor, never vulgar. Declared inability to take itself seriously in spite of the obvious skills that make an evening a memorable experience, openly launched a profound message for those not willing to have a mental vision of this still open marginalized world inexorably moves forward with their demands. The cast are almost singing with a lip that rivals La La Mc. Callan, is the diva "travesty" that sing live, a rarity in show business, Paul Mazzini plays the role of Margot, Matthew White and those of Audrey Simone Faraon those of the Guild. Continuing, Frederick Gentle (Alfredo), the good and relaxed Late Valeria (the kinesin Cinthia), Michela Dolovich (Rachel), Agostinelli Rebecca is Rebecca, the daughter of Audrey and Rachel's role is not easy for a child, but that puts the ' accent and ends this circle still too closed. Good choreographers: Giorgia Zambrini (also takes care of the trick), Fabrizio Rago, Gioia Rare, Emmanuel Nifosi 'Benincasa and Pamela with their dance moves have made the show even more enjoyable. The costume designer Monica Cafiero shows a wardrobe of elegant costumes designed specifically for the original show. The production designer is Sara Migliorini, Cristina Mantelli Francesco Currenti, Alessandro Moro lights: Carola Benedetti, and finally the music is by Francesco D'Alessio of the RTA movie (also directed by), Emmanuel Nifosi '. Welcome then to the world of "Feathers & Sequins" the show that is not a musical, but it might be, the bill for more than six years, with an exhibition and a concept of entertainment than two hundred years old, but does not show! United by a destiny that will go well beyond the feathers and sequins of their costumes. Sure ... cha ... with a twist, but also good feelings and a lot to say ...

Turin (Italy) July 22, 2011

A SIMPLE THANKS Open Letter from Daniel Jordan

And 'common knowledge about what has happened and continues inexorably to strike with heavy cuts due to the crisis that has affected not only our country. Inevitably, it happens, the ax as it was guillotined Culture, at the expense of those who make culture. Almost useless demonstrations are served! The word "culture" now exists only in the dictionary of the Italian language, designed to interest a few. So you think right-thinking people assume that somehow they decided on that word deliberately and dramatically, pretending to ignore the reality and the people who work and live culture! Those self-righteous claim that somewhere they were going to begin to reduce government spending! In return, however, will send some big events for the good of all calm, in short, the classic sweet after the bitter medicine. As if all this were not enough, it took even the rainfall to make life even more difficult the work of employees, losing those few expected receipts. By virtue of the word "culture" that now knows the vocabulary and, in spite of the rain falls from the sky, creating many economic disasters, the associations operating in our country have demonstrated their selflessness, to once again be the center of gravity, fixed point for citizens, while offering cultural events or entertainment events. The estimated turnout in spite of the presence of these bottlenecks appear clear. Of course, more voiced gratitude, when it comes to associations, means to those who do not receive any contribution or rather, perhaps getting a "miserable allowance" with which they can not even offer a frugal meal for artists. In return, they provide performances worthy of the name, in accordance with the so-called word called CULTURE.
Equally easy and without too much suffering if it rains or is made "cuts" provided a contribution to those events, here you do not want to bring examples of who has and has not seen, certainly some with pitiful results, there is a phrase circumstance that might fit: Margheritas ante Porcos! This script is a calendar, every year sacred is perpetuated at the expense of the Associations. In light of these facts, it seemed quite natural to write a few lines of these associations, bringing to the fore the public, not because they are known, however, was the least we could do for them. In this regard, perhaps, suppose that none of the public has never occurred to him to congratulate the pages of newspapers on the work of these people that somehow enliven the evenings for them, making them feel less alone or as an evening in the company among the people, even socializing. The effort that these associations take on every day of the year, making the commitment and professionalism available to users, Culture, bar none, with their performances very pleasant not only during the summer, but every day of 'year, this is not for everybody. So this time earned the applause and shrill, it is not intended as usual to the actors at the end of play, but to them, the effort to assume that these associations with pleasant performances, mainly at the associations that operate "gratia et amore Dei" and continue to maintain a commitment to the unwritten, but moral culture, so that the word can get back to being for the benefit of all, provided this is supported by a serious contribution. Of them, offer free or popular shows for an audience increasingly numerical prevalence, eager to these small but effective events, despite the expensive kind, maybe yes nice to people, but to the detriment of small and medium-sized associations.

A simple thank you, but of the heart!

Turin (Italy), July 12, 2011

ALWAYS RAIN RAIN, But Not All It 'Lost review of Daniel Jordan

Turin, with its outdoor evening events, full to the point that one does not know what to choose among the proposals listed in the city or out of town. That evening, though the rain continued to give no respite, I happened by chance to enter the Arena S. Philip, also known as COURTYARD sera. The rain was incessant, but the mood that prevailed in the shelter of the hallway of the courtyard was jovial. No GP present on what was happening outside the walls were there to not know what to expect, unfortunately the show described by the billboard, was nearly missed were it not for the daring readiness Elena Cortese, of course, with the quiet approval from plaintiff came from afar to perform in this very rainy night inviting him to continue in the only shelter that would offer the Courtyard. Ipso had our good actor, dressed in clothes of the Hero of Two Worlds, began his monologue titled: Grapefruit Livio is pregnant at the party. A history of Garibaldi "true" narrated by actor Mauro Gasparini, that over the showers that raged incessantly dell'acquazzone got the worthy praise of the audience, asking him making a play even a few songs of his book. Ironically, writing an actor should never let "dry" his audience, that is, decline the invitation previously. Him worthily and with great skill but he did not have a stage but a well-deserved public shared and appreciated and followed his monologue. As always, even in the unlikely event that there is always the flip side, that is, the less beautiful, referring to the 4 Tunes also came to perform, unfortunately could not give a pleasant sound with their performance at the close of the evening, for obvious reasons, so to speak: of time, always ironically.

Turin (Italy), July 9, 2011

Luigi Pirandello MOVES review by Daniel Jordan

He has never seen the actors on stage while the audience lounged held the post room before acting. It 'happened at the Teatro Gobetti of Turin (Italy), this left people puzzled politely like a script for those who are suited to attend a theatrical performance! They, the players undeterred and regardless of what happened in the audience, continued to make their comfortable! Whereas those present, thought of watching a work of Luigi Pirandello, not a comedy to laugh, or see any on stage three wandering wasting time! Should the director, so he understood the reason for their insolence, was due to the fact that it was late, understandably without the presence of him who runs, the actors do go wild. The author of the text, presenting a paper in his hand and said to the authoritative voice actors to read it. The public, as always attentive knew at once that the staging of the comedy: YOU DON GIOVANNI IN SEARCH OF COPYRIGHT had long begun. The text and is directed by Paolo Vettori, who, with meticulous research has produced an unfinished work by Pirandello, having only a few fragments scattered here and there, staged for the National Festival of Luigi Pirandello, with a result that would made sure pleasure. The actors who take part in this swirl of characters are: The talented Warriors Stefano, was able to give proper emphasis to its transformation with fair balance, where each individual viewer felt the vibrations emitted from him. Not least is Laura Ferrero and Elijah Blue Bongiorno. The production of Languedoc.
THE GREEN HOUSE ANGLE Below, the text of Luke Borgia, with the interpreter and Michael Luke Guaraldo Busnengo offer readings from the works of Pirandello's play is always, do not surround a corollary, the musicians Enrico De Palmas with its harmonious and nice guitar, and the adorable, sweet, melodious sound coming from the flute was produced by Rebecca Viora. The production S P O, Workshop for the scene.
And this closes the acting of Luigi Pirandello's theater festival National Gobetti of Turin (Italy) to continue the 15/07 to 14/07 in Giaveno Coazze, on 21/07 at Valgioie, shows start at 21: 00. Paying tribute to Luigi Pirandello, who stayed for a short period of Coazze that, in the Province of Turin (Italy), where he generously in his notebook only fifty pages, recently rediscovered, pinned news or common people of the place, whatever was reported as if it were a diary. These notes, at least in part gave rise to what we feel fond of comedies. The director and director of the festival in its fifth year, Julius Graglia tried despite the cuts to culture to build a course that addressed Italy look to our best yet, the memory of our territory, embracing Sicily and Piedmont, hosting prominent artists without leaving aside the young people that although young people demonstrate their resolve on the stage in the theater, producing and investing on them with no little effort, but show a lot of satisfaction sewing Balasso Natalino.

Turin (Italy), July 10, 2011

AND' IS IT SERIOUS? review of Daniel Jordan

This title is left to the imagination as the main theme of which Sergio Tofano IL BEL CECE' was inspired with the beautiful Bonaventure to the character, certainly a hilarious comedy, sought in the set, lights and music, the actors under the expert hand of Julius could only Graglia give the dramatic effect the director intended with the appreciation generated by the public come to the Teatro Gobetti of Turin for the festival Pirandello. Only one thing is puzzling, this question ... the title itself is a very serious matter and the actor is the main Natalino Balasso can only be fun, excellent interpretation.

Turin (Italy) July 6, 2011

La Cage Aux Folles review of Daniel Jordan

Last night there was the pre-show "Feathers, sequins and stilettos" taken from the remaking of an American film entitled "The Birdcage" whose roles were covered by Robin Williams and Nathan Lane. Despite the rain the previous day, continues with its evening events, the festival courtyard of Sera sponsored by Associated Artists Thirty Paul. The play in question is hilarious, though still a subject supports open discussion not only on the scene, but is treated with discretion by the actors so much so that the audience appreciated and enjoyed even more certainty. In this "cage crazy" Roberto Carelli stars as Georges and Albin Roberto Briatta ones, followed by Antonio Cardinali, Laura Baldassari,Lorenzo Brugo, Gianpiero Fusco, Sabrina Vivalda, Nelson Barboni, Rita Sacchetti, Monsieur Languedoc, Antonio Strollo, Umberto Biagini, Ursino Adriana, Sabrina Lucarelli has demonstrated their ability and stage of expression, not an easy role to play for in the text of the play is pregnant until the end. The effects of light are Peter Striano, Daniela Rostirolla for the costumes, the staging is curated by Elena Cortese. Replicates this evening.

Turin (Italy), July 6, 2011

Street Artists! review of Daniel Jordan

And 'possible to combine two similar but divided against each other comedies? And 'possible to combine two or more dissimilar drama if not for a common factor? We're talking about theater! Questions that seem simple, but complicated in the execution to make them understandable to all audiences. There are different ways to stage theatrical compositions, one of them is the circus arts. So here we go again with the questions, how can the circus with its jugglers, acrobats, and so on and so forth ... we stop here because the list is not long, but infinite. We were saying how it can enter into a drama William Shakespeare with the circus? Shakespeare would have said: this is the problem! Strangely, the House Maluf with its artists: Annaluce Marchione, Fabio Turini, John Fiore, Jean Pierre Tateo, Lucia Fusina, Frau Matthew had the idea to unite the lovers of classic and dutiful children to this combination of level of writing stage with great skill and professionalism. The artists, from different formations have not tried to stage something, but linked with extreme authority, without boring the audience, joining stage performances, particularly the death of Ophelia and Juliet was one found only the symbolism of their death , W. S. Perhaps you would congratulate you all and, as he put it: We're the same substance of which dreams are made of! A show not to be missed, different in kind. It is good to get the reviewers in the comment written in first person, this is the first time for me. The artist, in the shows usually puts body and soul, trying to satisfy the public intervened at times we can not always to the end, but it is certainly not in this case, talk show AMBRETO MALEFICENT, for him there is as important if the input is a fee or donation, for a fact that helps artists to survive, in return for your fun and make you forget all your troubles ... but look at the beauty in their eyes after the performance, when they start the applause, especially when someone in the audience approached him and congratulated personally ... are eyes full of joyfulness, maybe try to go behind the scenes ... complimenting. It certainly will be the biggest reward of an artist ... do you too. Ending, these are called: Street Artists!

Turin (Italy), July 4, 2011

DELIRIUM FOR TWO review of Daniel Jordan

One room, two people, urban warfare, perhaps, ingredients for the show staged in the calendar of the review COURTYARD NIGHT, by Paul Trenta Associated Artists Group, the show DELIRIUM FOR TWO, is one of the minor works of Eugene Ionesco , along with Beckett and Adamov revolutionized French drama with the New Theatre, better known as Theatre of the Absurd, taking the name coined by the critic Martin Esslin, in the fifties, is enclosed with it a philosophical notion of absurdity of existence. The protagonists of the play Darius Amateis and Elizabeth Rubino, although the text can at times seem tedious, they have succeeded with their nonsensical dialogue (wanted by the script) has demonstrated their ability by lightening the narrative effect. The drama tells of a couple locked in the home, shaken by tremors of grenades, unspecified steps squads that roam up and down the stairs, providing another argument between the two. The sounds of gunfire echoing off the road does not seem the least bit of interest to our players except for rimbeccarsi. It 'a continuous war of words with nonsense, petty quarrels, emphasizing the fact of infertility tired of loving relationship, marking strongly conditions of abnormality and the lack of contact with the outside world. The room is, therefore, the environment, the reality that surrounds our characters. Individual loneliness and isolation, difficulty communicating with others, the absolute lack of ability of the two to leave a tangible sign of their existence and their function in the world. A dialectical confrontation and absurd, grotesque, ridiculous comedy that makes a masterpiece of Eugene Ionesco's theater of the absurd in which: lack of communication, anger, shallowness reign supreme without any solution, where even death becomes an opportunity to reflect on what to do is happening, leaving the viewer of the show is not indifferent, in this case a purely reflective, with no solution to the problems.
Directed attention to detail is the work of Mary Grace Solano proposing the original version, made using small sets is essential, as too absurd to take part in the world!

Turin (Italy), July 3, 2011

NATIONAL FESTIVAL Luigi Pirandello review of Daniel Jordan

With the press conference took place at the Teatro Gobetti of Turin (Italy), was officially opened from 05/07 to 21/07 National Festival Luigi Pirandello, built with great efforts, but also great satisfaction from director Giulio Graglia. For the fifth consecutive year could not miss the participation of the Region of Sicily, it was necessary for both the festival itself, is the union which unites the two regions in the celebrations of 150 years of the Unification of Italy, as always, the festival wants to be an investment in young artists. A rich program, begins: It 'Is it serious? Natalino Balasso bringing on stage, the debut is Tuesday, 05/07 Friday, 08/07 while the evening continues with Pirandello: To move the soul, on stage, the Company Vetrano / Randisi continues Saturday, 09/07 and based on Luigi Pirandello: Youth all performances begin at 19:00 at the Teatro Gobetti of Turin. Did you know that Luigi Pirandello had stayed in Piedmont? Coazze precisely, a fraction of Giaveno, he loved our Piedmont, now with the discovery of his notebook, where he loved to write down the places he visited. He had been struck by the phrase written on the bell tower of the Cathedral: Everyone her. This phrase later gave him an inspiration for his new play. Perhaps it is for this or other cause, the director Julius Graglia, has introduced the touring festival, starting from Turin, Coazze touch, and this year Giaveno Valgioie.

Turin (Italy), June 30, 2011

ALL THE KING'S WOMEN Review of DANIEL JORDAN

In a natural setting choreographic what is the "Villaggio Leumann" near Turin (Italy), a beautiful glimpse of a time long gone, as a settlement dating from around 900 manufacturing, dignity preserved, seems to enter another dimension but not of this you want to review today, but on a theater company Theatre Assembly forward-looking and very professional, both on the choice of texts prepared for the commitment that was on the recovery of the Shrine of La Bela Rosin. In fact, presented evening of June 24 feast of St. John, the patron saint of Turin (Italy) show a very peculiar: All women of the King A text by Fabio Renzo Sicco Arrivas and directed by Lino Spadaro The story is introduced by a storyteller without continuing King's presence on stage. The story of intriguing stories to life drawing-room el'impetuosa virility of Vittorio Emanuele II, narrated by women worthy of the Piedmontese, the gossips as confidential. Malizia popular or envy, whatever it says in the play referring to Maria Adelaide, actress Laura Bon, nicknamed Rose Vercellana Bela Rosin, the schoolteacher of Frabosa. I wonder how many other women have had attention and thanks to the king of which there were no tongued gossip. The performers of this magnificent play, made gentle humor and great entertainment are: Manuela Massarenti, Christian Voglino, Volpatto Valentina, Silvia Natti, Marlene Pietropaoli, Roberta Forneris, Valentina turning, Peter the Old, have expressed with their way of acting, adapting to the character in a professional and qualifying on the plane recitative without annoying the audience, quite the audience praised them profusely. delight in providing a harmonious music of the nineteenth century was the Italian duo Anna Barbero and Edward De Angelis. All this performance is a tribute to our past, d ' Italy and Piedmont in particular.
Turin (Italy), June 24, 2011
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ADAM & EVE, THE DIARY review for DANIEL JORDAN

"Adam and Eve" the diary of Mark Twain's satirical review performed at the Herald Theatre Turin (Italy) by director Walter Revello (narrator Almighty), who likes to imagine the attraction between the sexes in the history of Genesis: Adam & Eve, even the first to have sex. With ironic version from the outset with the appearance of Adam (Maximum Chionetti, instead of Michael Giaquinto as ill), is full of books and then browse through a sports daily, alongside the obligatory mug of beer. Stereotype of the typical male! He rough-mannered, annoyed by the presence of Eve (to paraphrase the director with the face of Veronica Stilla) chattering to capacity, giving a name to all the things that appeared before, romantic, full of love for the only (un ) similar created from a rib of the man, it seems that all of this in the face, is intended to utter disaster. Yet, despite the diversity, Eva writes in his diary: "If I ask myself why I love him, I do not know an answer, but I do not really matter so much to know, I think it must be so" is not a ' religious work, much less blasphemous, but a story told. The director tells a story of snakes, nuts and apples, until the fall of Lucifer and his favorite of the two protagonists with it because of that forbidden fruit. In a dissertation on relationships between man and woman talking ironically almost with contempt, while talking you do not understand, in spite of everything they love, not by choice, as the only men in the world forced to live in quell'habitat called Eden. The choreography is of Etruscan Galante and Alec Chiri Tru dancing performed by the Company, proposed by the music of Walter Revello and Etruscan Galante make the comedy even more visible, example of balance between irony and mixed record haunts the attraction and romance.

Turin (Italy), June 23, 2011

TANGO, MONSIEUR? review DANIEL JORDAN

The theater company The Argonauts are back to the stage, they do so with his comedy Tango, monsieur? A work written by Aldo Lo Castro in the eighties, the director Alessandra Gorga reformats the text to fit his personal style, not only wanted in this play some of his students at the end of the course without relegating them to secondary roles, but in placing shares -primary or primary, confident of their teaching and their learning. The sight of him because it goes without saying the topic is a comedy full of ingredients to suit the taste of a diverse audience in this humid evening of the solstice. The humor is in steps of embarrassing situations that revolve around the desire of a man who in one fell swoop would get rid of his wife and two girlfriends, with a gimmick that will backfire on him. During the dialogues of the farce, do not be fooled by the faded unobtrusively and not because the music is actually personally by the director wanted to convey that effect making it more livable Flash Back to the scene. Entrants have supported well the impact of the stage and with it the part assigned beginning with Silvia Benvenuto, Sara Torielli, Marcello Perri, not least the sparkling waitress played by Paola Ivaldi closing the play with an unexpected gag, certainly from the minds brightest of those who adapted the text: Alessandra Gorga. The sparkling new actors supported by Palmina Resina, while the role of so-called spoils that females could not assign the eclectic and talented Danilo Torrito for those who know him know he can immerse themselves in any suit that the script requires. The theater company The Argonauts has another peculiarity in addition to the skill, one that breathes behind the scenes, the live atmosphere that other components do not have or do not know how to outsource. This company is growing not only in number, perhaps for the jolly harmony that transpires during the sweat test and its wonderful staff, but always under the watchful eye of director. The technical support of this representation is carried out by Giuseppe Greco, M. Elena Scardaci, Pino Rizza.

RIEN NE VA PLUS REVIEW OF DANIEL JORDAN

RIEN NE VA PLUS REVIEW OF DANIEL JORDAN

Yesterday the Herald Theatre Turin (Italy) there was the debut! The cultural association Thealtro as a show of late years has wanted to do to experience intense pleasure that the members of the theater workshop bringing them on stage before an audience of friends and relatives came to witness the staging two plays pièces du Grand Guignol "Fernanda and L 'Claw "Andre de Lorde's works, not so much difficult as the text for acting, readjusted by the name of Him and mother. The second part of the representation, some newcomers tried their hands with "Osvaldo Zenaide" by Jean Tardieu, which is characterized in the role of Monica Matarazzo Zenaide harmonious with his mastery of theatrical language and gestures, Daniele Peluso also good in the part of Oswald . It is proposed at the end of the evening "THE PEOPLE'S CASTLE," a thriller with the usual dead, here the director Massimo Chionetti Stilla and Veronica, wanted to contribute their distorting mechanisms plays a tribute to the genius of Jean Tardieu, making interpretation more characters a single actor humanizing objects surrounding the crime.
All performers, beginning by listing them for no particular order: Monica Maria Seksich, Providence Urso, Daniel Murrucciu, Rupo Valerio, Manuel Sum, Julia Guarini, Annamaria Susca, Joseph Fais, Domenico Inzitari, Anna Diliberto Life, have offered casual and received by the public a warm round of applause, this does not mean being good, it means work even harder!

Turin (Italy), 18 June 2011

Competition RestArtFest 2011recensione summer edition of Daniel Jordan

Saturday, June 11 in Turin (Italy), it was concluded at the Teatro S. Anna RestArtFest the summer, these are the titles of the videos in the race in the sequence of projection:
• Just married in Super 8 film "Grande Valerio
EVEN THE OTHER • Roberto Gamboni
• The WHITE WATER Rossi - Colucci (In Sommiis Video)
• REAL APPEARANCES George Santis
FALLING UP • Junior Lucano
• THE RETURN OF MAN MOKA Piero Passatore
• 1 hour and 27" Andrea Sossich
• WATER KANE Germano Centorbi
• CONCERTO FOR SMALL MINDS Joseph Glielmi
• ERROR 50 by Francesco Palmero
• Waiting (Waiting) Gianluca Orrù
• GARDENING DRAMA Andrea De Taddeo
• SINAPSI Luca Sciascia
• PARADOX short film made in Cinesincro Stephen Ferron

The jury presided by Domenico Morreale and Daniel Jordan, commented pointing out the film - Falling Up - Junior Lucan, Best Director Award - for the intensity of the narrative, the atmosphere managed with a good director that denotes a mastery of techniques , the film story.
The film - Synapses - Luca Sciascia, a prize for Photography - for the excellent construction of the image associated with the elegance of the clothes that are a counterpoint to the scenarios combined with natural elements, emphasizing the beauty of women.
The film - Drama Gardenig - Andrea Di Taddeo, the premium for the Assembly - for the interesting post audio production that was able to document a process of artistic creation playing nature.
The inventavideo addition to presenting a draft CineTeatroDromo offered to present a rich buffet, hovering between the speakers a Cyber ​​Punk, a performance by Chiara Russo, Victoria Valeri, Marzia Civitillo. E 'right to thank the people who worked for the realization of this evening: Michael Franco presenter, Bruno T. Abraham, Luke Zanlorenzi saw operators, Dario Oddenino graphics and animation, and exhibition logistics Enrico Pinto, Luca Bau television director, Henry Matera music and jingles, Enrico Venditti founder and director of the festival. See you in December for the winter RestArtFest.

Turin (Italy), June 13, 2011

SHORT FILM COMPETITION "AT TORINO 100" review of Daniel Jordan

Another challenge has been completed for selected the "100 hours Torino" 2011 edition at the Teatro S. Anna di Torino (Italy), the list of the prizes consisted of:
• First Prize of € 500.00 = value in manufacturing services offered by tele EMA Produtions Enrico Venditti, over € = 300.00 as reimbursement for costs incurred in the implementation of the short video.
• Second Prize was awarded € 300.00 = always in service of more than € 200 = production expenses as incurred.
The jury and presided over by President Canavero Alfieri, Maxi Dejoie, Daniel Giordano, Domenico Morreale, held as follows:
• First prize in the under U.S. / 2 for the following reasons - the technical and artistic quality, ability to use the split screen and assembly space in an effective way to tell a story well constructed and interpreted -
• Second Prize was awarded to the title - PURPLE MAGNET - for the following reasons - for his role in a consistent way the constraints and rules of the horror genre, with particular attention to the location and construction of atmospheres -
The jury wanted to give a special mention to the title - at MIDNIGHT IN PARIS under MELANCHOLIA THE TREE OF LIFE - for the irony and demonstrated the ability to improvise in dealing with the language of the docu-fiction, the various phases of short, playing cleverly with quotations and references the current movie.
Unfortunately due to time constraints, the Jury (all agree), were unable to express to the video maker in the audience a general view emerged not only that, but in almost all competitions so we quote verbatim: - Get in the game in a competition means writing , design and work are able to find the right balance between creative, production and technical limitations that characterize an audiovisual production. Limited resources should not necessarily correspond to approximate results, but an incentive to find original solutions through creativity, with the ability to get the best result from the instruments available and a good dose of self-criticism.

Turin (Italy), June 13, 2011

Soiree for Grand Guignol is staged closed door J.P. Sartre

The drama takes the form of a one-act play, three characters, Garcin, Inez and Estelle, the world is what we usually see no more. That's hell, no way out! A waiter with staring eyes, the eyelids do not move takes them one by one the players in a room devoid of all that, the environment displaces all human calculation on one of the places where nobody would find himself to atone for their sins be judgmental and therefore judged to become a victim of one another, although still a weak link even if temporary what happens on Earth.
Estella craving Garcin, Ines while he craves, which morbidly Estella wants all its own. Strange triangle human, condemned to live in infinite time. The tragedy of J. P. Sartre, describes how it should be hell, a forced coexistence. At first the three tried to tell to know, no one really wants to let others know how it was his life, came to the place because they have done something that unites them. A difficult challenge for the actors of the theater company Onda Larsen who were able to gather with theatrical interpretation worthy of praise.

Torino (Italy), June 6, 2011

FILM FESTIVAL CINEMAMBIENTE 14th ANNUAL review of Daniel Jordan

Turin the first capital of Italy, in its 150 th anniversary of the unit is a city that is renewed! It is this that we want to talk, but to FILM FESTIVAL, a festival for fourteen years has grown exponentially through the crisis of culture, thanks to the constant of its founder Gaetano Capizzi. An established event in the world that despite the rain poured in the days of the competition has not stopped the public from various countries over the Italian regions, confirming the importance that this Film Festival, the number has increased even managed to involve the presence children as well as adults. This year the papers presented were about a thousand, and as always, only 10% managed to get into after the selection. This year's jury for the international competition documentary was made by Michael Cimino, director and jury president, Mimmo Calopresti actor, Myriam Gast Loup film history and analysis of the Sorbonne in Paris, Paola Maugeri collaborator with the major television networks and voice, Mario Tozzi geologist and researcher at the CNR, Donatella Panari representative of the Provincial Board of Students of Turin with their prize, while the Italian documentaries Bunna remind one of the founders of the Africa Unite, Enrico Camanni journalist and contributor to the newspaper La Stampa, director Simona Risi and winner of the special mention Ecofilms. The list continues with Fabio Dovana journalist and head of the press Legambiente and their mention. The jury for the international competition of short films: Lia Furxhi, Heinz Hermanns, Andrea Segrè, finally we have a special mention WWF Martin Atkin, Riccardo Fortina, Isabella Pratesi. The winners for the Italian Documentary: Movie "Them of the Garbage" director Marco Battaglia, Gianluca Donati, Laura Schimmenti, Andrea Zulini, is a cooperative that brings together eighty scavengers in Palermo, a real expert in the recovery of recyclable materials from trash. For the section on international documentary film "Into Eternity" by director Michael Madsen, describes the storage quarter of a million tons of radioactive waste disposal. Pressed instead of the Michael Cimino film "There Once Was an Island" by the Briar March. A lifetime achievement award was given to fellow countryman Piero Angela. Attending the closing ceremony of the institutions and representatives of the UN with an emphasis on the June 5 World Environment Day to be over, 2011 is the year dedicated to forests. Gaetano Capizzi, told us that he felt satisfied the objectives achieved especially educational ones. Although efforts are increasing compared to the few resources received, bearing in mind that it is not simply a competition there would be little time for the government understood the value of this international film festival has taken Cinemambiente, besides being a showcase for our Turin, the main purpose but making an investment not just in words but by donating a contribution, there would be an awareness among the population back to the recycling and not wasting. All persons who have intervened in some way to dialogue had agreed to a sentence: There are 60 million small things if they are to do so. On this we agree! Returning instead to Gaetano Capizzi wanted to share the success of this 14th edition of Cinemambiente with his collaborators, include Pedro, professionalism and kindness with which he handled the influx of people throughout the festival period. We can only wish that all the appointment for the next year thanks Gaetano Capizzi!

Turin (Italy), June 06, 2011

I BOUGHT A RAINFOREST (Can 'do) review of Daniele Giordano

At the end of the school year you repeat the same ritual, we see kids with the intent to draw up stalls to sell their treasures abandoned trying to make a profit.
If this request was expressed by a non-profit organization, supported by teachers and raising awareness among children, to become their taking it as a challenge to raise money for a good cause. In so doing the young Jacob with other comrades to cook pasta shapes in colorful butterflies. The money raised was sent to the author of the project in exchange for a certificate to certify the ownership of a land acquisition to protect the rainforest. Ambitious but not impossible, for those kids aged between seven and nine years have demonstrated their sustainability! Meanwhile, time passes for all, changing fashions, ways of thinking, we become aware noting climate change. The young Jacob points out that project and want to verify the results, taking the most important decision of his life. Find that piece of land bought of rain forest. We do not want to tell the story of the film "I bought a rainforest," directed by Jacob and Helen Nygren Andren, but the message suggests and that the director told the audience at the beginning of the projection of Cinemambiente festival that was held in Turin ( Italy) listing two categories of people - those who do and those that should already have done - to have an acceptable future on this planet abused by all. It is believed that there is still hope, but you should act immediately without delay. A film that deserves to be seen and maybe discuss it with the author.

Turin (Italy), June 06, 2011

WHY SO MANY CRANES ON THE COVER review of Daniel Giordano

Have you ever wondered why so many seem "Paper Cranes" on the cover of the catalog Cinemambiente? Meanwhile, we point out that those are paper crane Origami, the art of creating stick figures by folding a sheet of paper. This year Cinemambiente wanted to be close solidarity with the people of Fukushima Japan, after the disastrous calamity that has befallen them. In the tradition of origami is the Japanese symbol of long life and good wishes for a speedy recovery. The intent of Cinemambiente, supported by its many visitors every day passing the sites of projections being felt their living presence is the goal of one thousand units of the origami cranes symbolizing, as the story of little Sadako in the novel The great sun Hiroshima Karl Bruckner, according to legend, if you arrive at that number a wish come true. And here's the mystery revealed! A wall that the competition continues, and yesterday evening there was the intervention of Michael Cimino, and the public, presenting his latest work: Towards the Sun, a film compact, the succession of unexpected twists and turns along the way of their travel, up to reversal of the parties, changing the lives of both. The film premiered at Cannes. Tomorrow, June 5th is World Environment Day and it also ends with this spectacular contest.

Turin (Italy), June 4, 2011

Film Festival CinemAmbiente review of Daniele Giordano

Last night at the Cinema Massimo in Turin (Italy) on the occasion of World Environment Day is celebrated on June 5, which will end this wonderful marathon Environmental Film Festival CinemAmbiente. For the occasion could not fail to open the different departments and a representative of the Ministry of Environment, who have pledged to give its fullest support and allocate contributions to this wonderful initiative dedicated to environmental issues. The three rooms of cinema as it does every year, they were full. Between speeches and thanks were presented the jury clips. This year, host and president director Michael Cimino. The first film screened in competition with the film's director, Lucy Walker, Waste Land, set in one of the largest landfill in the world Jardim Gramacho, on the outskirts of Rio de Janeiro, a beautiful film that has changed my life and to her characters real.
All of this extraordinary event, we owe to a person who for fourteen long years with his inflexible obstinacy believed in making this project born in Turin (Italy) adopted city Gaetano Capizzi undaunted that has managed to overcome adversity, choosing a staff qualified employees in their job and certainly have believed in him from the start and in his great project. A survey in Turin (Italy) was missing, for one of the most popular International Festival.

Turin (Italy), June 1, 2011

CORTOMATTO (the competition out of the box) review of Daniel Giordano

The changes in the urban and suburban area of ​​abandoned buildings, create spaces that if at first they are visibly crumbling in full after the appropriate restructuring does not seem the same. That 's what the City of Collegno (Torino) has done with what in times past was the Steam Laundry, now completely turned into a space for events that ended the third edition of CORTOMATTO, a competition for video makers out from habitual patterns ... the title says it all of the competition. In the race thirty films, as selected by regulation, only nine have been in contention. The competition organized by PrimissimoPiano, supported by the City of Collegno which put at stake the sum of one thousand euro to the winner in the audience, the Mayor and Alderman Silvana Accossato Quality of Life Paolo Macagno. Piedmont Region, Turin Province, and this year has also appended the Film Commission Torino Piemonte, all with their patronage, the latter has provided a prize for the best author in the Piedmont consists of one or more free screening in the works room "THE MOVIE" at the showings in Turin. PrimissimoPiano, added some new features this year, the first was a workshop for children and teens, a stimulating workshop in order to show how to build a set and you do a shoot with Dawn of the doll, the second is to compare authors and reviewing public criticism directed. The judges of the third edition of Cortomatto: Danilo Bruni D Center, Henry Deloitte Film Commission Torino Piemonte, Daniel Magog Suburban circle the meeting, Andrea Tomaselli teaches film. And here are Follemetraggi in the competition:
And 'love the real evil
AND ' LOVE THE REAL EVIL Emanuele Policante - V. Brini (mention of jury)
REMEMBER Andrea Zamburlin
LUCAUSE VS 2 PEACK Massimo Russo
THE CONTRACT Brunello Mout
THE SHOW Giorgio Tonella
HERES Andry Verga
QB Adrian Chiabrera - Comba Stefano - Stefano Mondino
GO CRAZY ABOUT COWS by Tommaso Magnano (first prize and honorable mention from the jury: to complete the work, the strength of the writing, the maturity with which the register is maintained as complex as that of black comedy)
GOOD NIGHT Riccardo Banfi

For my part I marked with a former fair also another title in the first set, but the competition does not provide for it, whereas the jury's decision is final and irrevocable decision that I agree, however, point out the work "heresy" with my words Special: The director has managed Andry Verga with two actors, a single location, describe in such a short space of time and a true story at the end of fourteen hundred with excellent photography, and script interpretation. For Stranattori gag played by the theater section, Emanuela Gatti received a special mention by the jury, however, the winner was the lovely Luisa Seravesi.
Now we just have to wait until the fourth edition of CORTOMATTO, no doubt full of news from those expressed minds inexhaustible Domenico Carlo Monreale and Saito, who conducted the entire evening.
Turin (Italy), May 29, 2011

50 HOURS review of Daniel Giordano

These days we talk of the Cannes Film Festival (Fr), with his guests, while in Turin (Italy) there is a competition for some time to say the least exhausting and beautiful at the same time. Who thought that after so many years, the competition "50 hours" born from the mind dell'infaticabile Alberto Carmigniani, passing the baton to the right job Enrico Venditti dynamic could continue to have an ever growing success, we are the sixth edition and as always spaces, which debuted back in 2006 Hiroshima Mon Amour. Competition was born to crew and could try and have the necessary space to express themselves satisfactorily in terms of video makers by showing their work to a wider audience. A contest tacked to express their creativity, their talent, in a definite time: five minutes of footage to be carried out in fifty hours total. The competitors at the start of this year there were about forty to find themselves in the delivery of finished products in twenty-seven. Very tough race. In those days you sleep, you write the script, with all the staff apart from the first shooting, they follow each other until the end of the short film, then move on to final assembly! A summing up of all this competition, the winners, a panel of industry experts well known nationally. This year sees the first place by a unanimous vote of those who decreed in its sole discretion: 50 BUG a thriller by Francesco Palmero, with a truly unexpected surprise in the room to the public. Second place was awarded to the debate slightly dramatic CONCERT FOR SMALL MINDS Joseph Glielmi, also winning an honorable mention for the actress. There was no lack of other terms starting from horror CLO Gianluca Argentero, no less thriller De Santis, Salvatore Minetti and with balance, in "removing hidden" voted by a card distributed to twenty people taken at random from the audience, Appendix nice and interesting introduction to the competition. All made in a setting that has nothing to envy to the great competitions. Michele could not miss the popular actor, who has served as in previous years in the role of presenter, now at home in this competition, while maintaining a pleasant rhythm to the task assigned.
Reveals a series of projections sprouting Panper, a cabaret duo who beyond his own name (I remember after one year since my review on them), have grown artistically, rejoicing with their hit gag. Now we have to wait until next year ... but in the meantime, the challenges continue with other competitions produced by Enrico Venditti increasingly compelling.

Turin, Friday, May 13, 2011

INTERPLAY: UN VIAGGIO LUNGO UNDICI ANNI di Daniele Giordano

Parte il 18 maggio da Torino (Italy) il festival INTERPLAY, l’unica rassegna italiana a essere in due network internazionali e uno nazionale. Sono undici le candeline da spegnere in questa edizione che MOSAICODANZA organizza a sostegno e per promuovere la giovane danza contemporanea emergente d’autore. La caparbietà di Natalia Casorati, direttrice artistica dall’instancabile passione che ha per la danza, il suo staff che in questo settore lavora infaticabilmente negli anni, l’autrice persegue un percorso di collaborazioni di rilievo crescendo anno dopo anno in modo esponenziale e di grande rilievo sia per qualità artistica e innovativa, ma soprattutto per valorizzare artisti e compagnie emergenti o affermati. Saranno ventisei gli artisti ospiti provenienti da tutto il mondo, naturalmente oltre a quelli italiani, diverse le location, ricco il calendario, non mancheranno esibizioni in esterno… per concludersi il 26 maggio alla Gam (Galleria d’Arte Moderna) di Torino(Italy).
Torino, 11 maggio 2011 Recensione di Daniele Giordano

OPEN LETTER

Friday, May 6, 2011 could become a historic date for Turin, in what has been "invaded peacefully" at least one hundred thousand feathers of hens, but an eagle. Yes, because the feathers were those of valiant Alpini and their traditions. Three days guests in our city for the National Gathering, it's been 26 years and there they reappear. Alongside the rally, other events, just to mention one of the TOUR ITALY all of which have merged with it. The machine with its municipal workers has stood up well to the invasion of 500,000 people saw the event. Ten hours of endless parade through the streets of downtown, wonderful event in all respects, but as always there is the flip side, there will be factions happy and unhappy, this can not be anything to stop it, while hopes that the fact the reception by the people of Turin has been decent in respect of the "black pen on the hat" that our leading mountain!
A special praise is due to the Santa Maria Group Arabona because they have behaved so fantastic in terms of aggregation in relation to persons passing by in their camp (located near the Faculty of Architecture, for us only the Castello del Valentino Turin) in a special way those two funny guys and Giulio Del Rosario Napoleon Maurizio that unlike other stations, they have not closed the chosen area, even with extreme nonchalance did their utmost to provide supplies to passersby. A group of mountaineers that Abruzzo was enough throughout a simple answer to be in harmony with the party! That's the spirit that characterizes the Alpine Corps. Between skewers and a glass of Montepulciano d'Abruzzo, the hours passed in harmony and to end the wonderful evening honored us with his pass in front of us and stopping just enough a wonderful "jeep with the fur" irreplaceable "comrades" Alpini. All this at the end of the festival, with the regret in each of their end of the rally, bring it in with sadness to the house until the next meeting! Replicated next year in Bolzano.
W THE MOUNTAIN

Turin, May 07/05/2011 Daniel Giordano

The Thousand Consignment + 5… late Daniel Giordano critique

Re-examined by the company theatrical Onda Larsen, in order of apparition the landlord Cecu: Riccardo De Leo, the nice Iuccia: Vanina Bianco, the argument Rosina: Lia Tomatis (author of the text), the brigand De Palma: Gianluca Guastella, the English Robert Brown: Giovanni Mancaruso is alternated among gags, tangle and to seem those that really am not, the departure but not the arrival of the Garibaldinis are lost, inclusive Hymn!
Lost the opportunity to unite himself/herself/themselves to the Thousand Consignment and… to Make Italy… to the 5 late comer, he/she doesn't remain anything else other than to try to Do… Italians.
The screen-play, with his/her joy it transports the public in a crescendo of laughters, appreciating her/it since the first wisecracks. You replies this evening to the Espace in Turin, which doesn't have anything to envy to other theaters starting from the cafe of the foyer rather furnished of drinks. A Company, that of Onda Larsen not to be underestimated.
Turin, May 03 th 2011

UNA SERATA CON EMILIO SALGARI recensione di Daniele Giordano

Una serata di parole contornata dalle musiche live del gruppo Totò Zingaro e soprattutto ricca di emozioni quella che il Circolo dei Lettori presso il Teatro Carignano di Torino ha ricordato il centenario della morte di Emilio Salgari, scrittore italiano che col suo immaginario coinvolse intere generazioni. Per la circostanza sono intervenuti personaggi noti al pubblico torinese, esprimendo per così dire la loro testimonianza salgariana, fornendone un profilo quasi sconosciuto dello scrittore oltre al racconto di qualche aneddoto. Per dirla alla Salgari, a questo richiamo sono stati presi d’assalto dal pubblico platea e loggioni, pertanto il progetto di Gianni Bissaca che ha condotto la serata e Roberto Tarasco alla regia, sono da ritenersi soddisfatti del risultato ottenuto. La serata si è alternata tra letture e musiche ed ospiti, la prima a salire sul palco è stata Ilda Curti, confessando che a scuola leggeva di nascosto le avventure dello scrittore, a lei non piaceva Sandokan, preferiva Yanez ed ecco magicamente apparire Yanez de Gomera, interpretato da Philippe Leroy, l’amico inseparabile di Sandokan nello sceneggiato televisivo andato in onda nel 1976. E’ la volta di Ernesto Ferrero scrittore oltre che direttore del Salone del Libro di Torino (tra poco aprirà i battenti), appassionato salgariano l’ultimo suo lavoro un libro biografico: Disegnare il vento, l’ultimo viaggio del capitano Salgari. A seguire Giovanna Viglongo e Roberto Antonetto della casa editrice Viglongo, un legame che permane nel tempo da oltre cinquant’anni. Per l’occasione ristampa la biografia di - Emilio Salgari, il padre degli eroi – firmata da Antonetto e Arpino nel 1982. Ironici gli interventi dei fratelli Ferraris di cui Gabriele giornalista, in veste decisamente diversa da quella che abitualmente leggiamo tra le colonne di Torino Sette e Maurizio docente di teoretica all’Università di Torino con i loro racconti dell’infanzia di fervidi lettori salgariani. L’attore e regista Gabriele Vacis leggerà i brani più significativi. A concludere la serata degli ospiti tocca a Steve Della Casa raccontandosi in un video.
Non è facile sintetizzare il mondo Salgariano in queste poche righe in un momento che lo scrittore sta rifiorendo con numerose riedizioni delle sue opere. Il 24 aprile del 1911 a Torino tra le pieghe drammatiche della sua vita e la letteratura poneva termine l’esistenza dello scrittore Emilio Salgari, lasciando ai suoi lettori forse due quesiti, uno di questi è dove porre l’accento sul cognome, l’altro…

Torino, 29 aprile 2011

NOTIZIA - NOTICE

Sono tra voi per darvi una notizia ed un avvenimento importante, vi ricordo che in Italia a Torino si apre dal 12 al 16 maggio 2011 la FIERA DEL LIBRO dove oltre dialogare con gli autori dei libri presentati per l'occasione, ci sarà l'editore del libro-dizionario: WESTERN UNA LEGGENDA AMERICANA 1936 - 1971 dell'autore Marco Daperno. Non perdetevi questa opportunità di esserci.
Torino (Italia), 28 Aprile 2011

They are among you to give you a news and an important event, I remember you that in Italy in Turin it has opened since 12 to May 16 th 2011 the Fair Of the Book where over to converse with the authors of the books introduced for the occasion, there will be the publisher of the book-dictionary: WESTERN Una American Legend 1936 - 1971 of the author Marco Daperno. Don't lose you this opportunity to be there.
Turin (Italy), April 28 th 2011

NOTICE

Dear friends and friends, would like to thank you for the interest that you have visiting my blog, therefore I would like to tell you that the next publications will also be translated in English and you/he/she will be effected by the translator of the computer, therefore there will be different errors, you don't want of it, thanks.
Daniel Giordano
Turin, April 25 th 2011

SOIRÈE GRAND GUIGNOL recensione di Daniele Giordano

martedì 19 aprile 2011
Grand Guignol, un teatro fondato da Oscar Mètenier nel 1897 specializzato in rappresentazioni di orrore. Amorale intrattenimento su temi appropriati, sbocciato come un fiore velenoso nell’atmosfera sensuale e pericolosa che avvolgeva Montmartre, quartiere dei divertimenti, delle donnine allegre, con la sua componente erotica delle esecuzioni di inermi fanciulle opportunamente discinte o degli “apache” per finire con i delinquenti dal coltello facile. Teatro della paura e della suspense specializzato in casi letali, orribili esperimenti, sadici piaceri, sembrava assolutamente degno di quel turpe quartiere, una bizzarria esotica. Tutto questo veniva raffigurato in teatro tra la prima e la seconda guerra mondiale. I frequentatori erano celebrità in abito da sera. Al Grand Guignol, il cliente poteva assistere a più spettacoli nella serata, in uno stile brutalmente vero del teatro naturalistico, di certo non mancavano gli svenimenti tra il pubblico durante le recite, le quali furono eseguite in diverse forme rappresentative, ma il più popolare fu l’orrore decisamente squallido così come per gli effetti speciali usati. In seguito venne coniato il termine grandguignolesco, indicando i film a sfondo horror e splatter. La compagnia di spettacolo Onda Larsen ha voluto far suoi i principali testi delle opere di Andrè de Lorde, mettendo in scena i foschi atti unici del repertorio grandguignolesco, proponendo “Fernanda” un’affascinante ragazza (interpretata con grande perizia da Lia Tomatis), la quale possedeva tutto dalla vita. Malgrado ciò la riporta dove un tempo esercitava un “vecchio mestiere” in casa di M.me Lepaine (ruolo espresso con decisione da Irene Forneris), in attesa di un giovane (parte sostenuta in modo piacevole da Gianluca Guastella) del quale si è infatuata, tra effusioni e confessioni scaturirà in dramma. Nella stessa serata una seconda situazione dal titolo “L’artiglio” anche questo di Jean Sartène, i protagonisti s’intersecano dando vita a questo intreccio legato tra loro, in cui un anziano capofamiglia di nome Gianmaria, colpito da una paralisi è costretto passare il proprio tempo immobile su di una poltrona, subendo oltre al suo male le angherie da parte di Rosa sua nuora, la quale trama alle spalle del figlio Ippolito in quanto innamorata di un altro. Il solito triangolo direte voi, non è proprio così! Non dobbiamo dimenticare gli spettacoli erano imperniati sulle sofferenze degli innocenti, sull’insanità e la vendetta, quindi non mancheranno i colpi di scena. Gli attori in questa rappresentazione sono stati bravissimi ed è inutile commentarli uno ad uno, quindi partendo da: Riccardo De Leo del quale è anche regista, Irene Forneris, Gianluca Guastella, Giovanni Mancaruso e Thomas Tinker, tutti carichi di patos ed estremamente validi nei ruoli assegnati. Un plauso a Piero Ferrero, Claudio Meloni, Giovanni Galuppi su consulenza di Ottavio Coffano, i quali hanno saputo ricostruire le suggestive atmosfere parigine, trasportando lo spettatore in quell’ambiente granguignolesco.Tutto contornato dall’ottima degustazione di vini piacevolmente qualificati della Azienda Agricola Baldi, oltre alle suggestive opere della galleria d’arte Paolo Tonin e dal prof. Radu Dragomirescu dell’Accademia delle belle Arti Albertina di Torino. Meritava davvero esserci, quindi non perdetevi gli appuntamenti delle prossime Soirèe Grand Guignol al Teatro Espace di Torino.
Torino, 18 aprile 2011