The desire to make theater is now known, there are good actors and less, others do not count. Then there is the category of directors who take the stage plays written by themselves or by others, trying to overcome or at least be close to the artist's main piece. There is another category is not very well defined, perhaps because young, but ready to try and come forward with their ideas then they are welcome, the risk for them is great! Some kind they try without success, others succumb to the weight of the play, but some people risking and, perhaps reading between the lines written by the great authors, can fathom putting something decent on stage a show, sometimes surprising. The reference alluded to earlier, is not random, was played by cunning. When we read, we attract just the words written in large, this is done to attract attention, in terms of prestige is defined as a distraction. Without making too many turns of phrase, the comment is intended for the theater company New Forms, in a sly poster written in a "freely adapted from The Bald Soprano" by Eugene Ionesco, but the title of their play is "The Singing" All presented ' Arena S. Filippo di Torino (Italy) with the actors: Simone Faraon (adapted and directed), Sergio Cavallaro (choreography and artistic direction), Monica Iannessi, Paolo Mazzini, a good girl Francesca Roi, Davide Faraon (audio), assistant director Corrado Trione. In short, the new forms, he made his comment about what Ionesco said during the writing of this play, they have not staged the play, but the anticommedia, a kind of friendly mockery, a comedy in the play, trying to stay within the parameters of the original comedy of Ionesco, who put on stage in Paris in 1950, was anything but a success at its first, had to wait five years to get it, unlike the theater company New Forms with "The Soprano "that has emerged on the same evening, shared by all the public intervened in the beautiful courtyard in the evening ... it was.
Turin (Italy), July 31, 2011
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