JACK LO SQUARTATORE editoriale di Daniele Giordano

Doveva proprio esserci qualcosa che si coniugasse con la festa di Halloween. In questo ci ha pensato il Teatro Araldo di via Chiomonte 3 a Torino o meglio quel pozzo senza fine d’idee. Pensate, mi prende una serie di omicidi realmente consumati nell’autunno del 1888 in uno misero e degradato quartiere di Whitechapel a Londra, trasformandola in una pièce teatrale. Di chi si sta parlando? Di una persona eclettica qual è Walter Revello, è capace di spaziare da semplici talk show come Brava, Bravissima, a commedie brillanti, oppure come in questo caso, soffermandosi su un fatto di cronaca di un certo spessore trasformandolo in recitazione, rendendoli al pubblico tutti appetibili. Il racconto portato in scena, è conosciutissimo, così pure il nome delle sue sciagurate vittime, ma non l’identità del responsabile, giacché dopo gli efferati delitti si è celato nell’ombra. E’ di Jack Ripper che stiamo parlando, per intenderci: Lo Squartatore di Londra. Messo in scena dalla compagnia teatrale Thealtro è ancora come dire un work in progress, poichè l’autore ha voluto testare il suo lavoro davanti a un pubblico pronto a dare un giudizio immediato, destinando la recita in una giornata particolarmente favorita come quella del 31 ottobre, la notte che precede il giorno dei morti! L’occhio attento e scrupoloso del regista ha sapientemente senza scenografie, adattato l’intero palco, quinte comprese, in uno scorcio di vie e vicoli londinesi, con i giusti tagli di luce, riuscendoci benissimo a dare il senso giusto alle scene, c’è ancora da lavorare sui dettagli, nell’insieme l’ossatura c’è. Soddisfacenti sono state le attrici che hanno impersonato “le sventurate” V. Mortara, S. Siriani, E. Volpe, A. Pasquinelli, V. Stilla, come del resto gli attori iniziando dall’ispettore M. Chionetti, il poliziotto M. Giaquinto e il sovraintendente E. Cravero. Intanto noi staremo buoni, in attesa di vederlo finito!

Torino (Italia), 02 novembre 2012

SCUOLA DI CIRCO recensione di Daniele Giordano

Dopo aver visto due piacevolissimi e simpaticissimi atleti, proprio così! Perché senza la dovuta preparazione atletica, la loro esibizione non poteva essere lodata dal numeroso pubblico che ha invaso pacificamente e garbatamente il loro show: Respire!

Uno spettacolo sino a jusqu'à leur dernier souffle per Alessandro Maida e Maxime Pythud, agendo tra giocoleria, corpo e sfera, questo è il risultato della logo performance. Cosa ci potrà ancora stupire dalle persone che abitualmente escono dai corsi della FLIC scuola di Circo di Torino (Italia), la più antica società ginnastica italiana (fondata nel 1844) che 10 anni fa, nel 2002, ha creato al suo interno la FLIC Scuola di Circo con i numerosi riconoscimenti e risultati ottenuti. Una rassegna che porta a Torino il frutto del lavoro degli oltre 200 ex-allievi e dei tanti artisti entrati in contatto con FLIC, con i loro spettacoli e la loro sensibilità, si è affermata in Europa e nel Mondo. Per il suo decimo anniversario? Tanto e di più! Infatti Andrea Loreni, il 28 ottobre 2012 tra le ore 11:00 e le ore 12:00 per la seconda volta si esibirà in una traversata mozzafiato su cavo d’acciaio nel centro di Torino (Italia), dal Palazzo della Regione Piemonte di via Magenta 12 all'edificio della Reale Società Ginnastica di Torino sito in via Magenta 11, tra le ore 11:00 e le ore 12:00 il funambolo torinese Andrea Loreni, è l’unico funambolo italiano che si cimenta in traversate su cavo a grandi altezze. È un artista eclettico formatosi alla FLIC e specializzatosi in funambolismo. La sfida, un sogno, un pezzo di poesia scritto su un cavo d’acciaio costituiscono il suo mantra. È stato protagonista di travolgenti traversate su filo d’acciaio tra le quali la traversata del fiume Po per apertura del festival Teatri di Confine 2006, la traversata dell’Arco Olimpico di Torino nel febbraio  2007, la traversata della cupola della Mole Antonelliana, simbolo per eccellenza torinese nel dicembre del 2008 e la traversata di piazza Cavour a Chieri nel giugno 2009. Camminerà in equilibrio su una corda d’acciaio di 15 metri di lunghezza a 25 metri di altezza accompagnato dalle note di “Aria sulla quarta corda” di Johann Sebastian Bach, con arrangiamento degli Swingle Singers. Per gli amanti delle curiosità e delle coincidenze, Andrea Loreni è stato interpellato per questa iniziativa proprio mentre si trovava in viaggio di nozze in Giappone… per la trasmissione giapponese “Sfide da tutto il mondo” del canale Nippon TV, un varietà di viaggi in cui la famosa reporter Imoto Ayako va alla ricerca di particolarità, naturalistiche, animalistiche e artistiche in diverse parti del mondo, presentando anche tradizioni e artisti di eccezionale bravura com’è Andrea Loreni. La stessa che gli diede molta fama fu ripresa il 3 maggio 2010 dalle telecamere di Superquark, trasmissione televisiva italiana molto apprezzata, ideata e condotta da Piero Angela, tratta argomenti di approfondimento culturale e scientifico, su di lui, realizzò una speciale puntata sul funambolismo e sulle tecniche dell’equilibrio del corpo umano, su un cavo messo a grandi altezze, è quello che proporrà il nostro funambulo.

Torino (Italia), 25 ottobre 2012

UN UOMO DIVENUTO SANTO recensione di Daniele Giordano

Si apre proprio nell’anno della fede, una particolare rassegna affianca il cartellone del Teatro Cardinal Massaia di Torino (Italia). E’ la prima edizione sul Sacro dal titolo: Mi Illumino d’Immenso. Realizzata dai Frati Cappuccini in collaborazione con 3ATRO Società Coperativa, l’iniziativa ha avuto il Patrocinio della Diocesi di Torino (Italia) presente alla serata inaugurale il responsabile catechistico don Michele Roselli. Il vero motore di queste (ben nove) rappresentazioni è Fra Marco Costa, voluto e sentito fortemente, sue le parole: - con queste questo percorso deve essere di riflessione e divulgazione tra i giovani come il Sinodo che Mons. Nosiglia ha auspicato. Nel frattempo il pubblico aveva occupato la sua poltrona, il sipario si apriva lasciando spazio alla narrazione di – FRANCESCO – di TERRA e di VENTO – a interpretarlo è stata la compagnia Teatro Minimo con gli attori: Andrea Cereda, Manuel Gregna, Massimiliano Zanellati, regia di Umberto Zanoletti, collaborazione drammaturgica Giulio Minuscoli. Una narrazione a tre voci che s’intersecano sulla figura del santo, non come si potrebbe pensare, richiesto dai frati, sarà di certo la solita solfa. Sarebbe stato troppo scontato, di certo l’obiettivo degli organizzatori non era questo, forse quello di trasmettere la fede attraverso delle recite tradotte ad hoc. Attorno alla figura i tre attori si alternano immaginando la terra di Assisi come poteva essere nel 1200, Francesco nelle locande a bere con gli amici. Chi non ricorda: Dolce sentire come nel mio cuore ora umilmente sta nascendo amore! Dolce capire che non son più solo ma che son parte di una immensa vita. Sono i dialoghi tra Fra Sole e Sorella Luna. Senza accorgerti, gli attori con il loro fare ti accompagnano sulla strada dell’Eremo, dentro la grotta tra le fredde pietre e le foglie per giaciglio, dove il Santo d’Assisi scriveva la Regola o Laudes Creaturarum, scritta in tre diversi momenti, snodando con intensità e vigore, divenendo così anche un inno alla vita o una lode a Dio, da ciò deriva il senso di fratellanza fra l'uomo e tutto il creato, mentre il vento col suo soffiare trasportava l’odore della terra umbra. Un’interpretazione notevolmente pregna di significato e attento esame da parte dello spettatore che ha assaporato con stupore, diffidenza, sorpresa e passione il Sacro e Profano della vita di San Francesco. Venerdì 9 novembre il Teatro dell’Orsa propone: Il Vangelo visto da un cieco. Merita seguire l’intera rassegna sia per la bravura di chi interpreta, sia per le scelte dei titoli.

Torino (Italia) 23 ottobre 2012

THE COUNTRY, THIS GROWING PHENOMENON review of Daniel Jordan

The country, also known as Old Time Music, is the result of the union of popular forms of immigrant Irish and Anglo-American music, characterized by string instruments like the violin, banjo, guitar and mandolin, accompanied by a affinity charming voice. The styles are the most representative Bluegrass, union of blues, gospel, Celtic music, characterized by rapid solo mandolin, banjo and violin, while the Western Swing mixes polka, swing and folk ballad unlike the French-Canadian named Cajun, based the use of the accordion, however the Country Yodel is derived from the typical song of the alps Swiss-German. If we want strong accents of blues, we must appeal to the innovative sound of the Steel Guitar, finding it with Honky Tonk. The first country singer to have a national hit was Vernon Dalhart with "The Wreck of Old" with him, other famous artists of the time such as the Blue Sky Boys, Riley Puckett, Don Richardson, Fiddling John Carson, Ernest Stoneman, Charlie Poole and the North Carolina Ramblers and Gid Tanner & The Skillet Lickers, just to name a few, we are talking about 1927. Their songs had a national recognition thanks to Ralph Peer, a real talent scout, the first pioneer researcher of the genre, turning the ' America in search of new forms of popular music to record, produce and publish. He will launch some of the first most important representatives of the country as Jimmie Rodgers (nicknamed the father of the country) and the Carter Family. Another icon Country music was the fascinating Dolly Parton, with her angelic voice and inspiring the west. This music has origins are lost in time a geographical mix, a cultural mix that continues to renew itself constantly. The country as a whole is born and evolves among immigrants of European origin. before 900, the rural American music of the white population consisted mainly in the popular repertoire of countries of origin of the old continent (Ireland, England, Scotland, France, Italy), and promoted religious songs by the evangelists. Musicians who played it were to form the string band, as the tools used were almost exclusively strings (violin, banjo, guitar and mandolin). terms in vogue in the first half of the century to define this music is Hillbilly Music , so they were nicknamed the white farmers of the southern regions, while Old Time Music to emphasize a link with ancient traditions of European origin. country in the twenties states at the national level, when they emerge the earliest practitioners of the genre, but in the two decades later, the decisive contributions come from the cinema with western movies, offering the public a confidence of the genre, creating a combination so strong that the music will be dubbed for years, country & western. The radio however, crucial instrument in its spread, especially during the Great Depression of the thirties, to mention the historic Grand Ole Opry radio show in 1925 that was broadcast live from Nashville, capital of Tennessee for fans of the genre and regarded as the capital of the country. There were two actors who have contributed most to helping it to mature this music, we are talking about Bill Monroe and Hank Williams, the latter coming singer-songwriter from Alabama, has a peculiar style Honky Tonk rovvisto a versatile genius and innovative open to discussion, was formidable with creativity and credibility in revitalizing the country roots, both in music and in the lyrics. His songs are reinterpreted later by artists of diverse musical backgrounds. Describing Bill Monroe, was a true founder of bluegrass, a genre that took its name from the group who first accompanied him, a virtuoso of the mandolin, renewed the country promoting the development of instrumental technique. From Hank Williams to rockabilly was a short step, divulgatosi in the 50s, rockabilly is only the first form in which the country will affect and enrich all popular music from here on out. His story is ultra secular, now more than ever, the flavor of the country can be enjoyed in a lot of music. far we have given a brief introduction to the topic, just to clarify things on this growing phenomenon and the infection that causes the "virus-country" with her dance. Adherents, dressed as a cowboy or cowgirl, straight out of a western movie, reviving joyful time.Turin (Italy), October 3, 2012

BIOGRAFIA di DANIELE GIORDANO

DANIELE GIORDANO
Nato a Torino, il suo percorso artistico nel panorama dello spettacolo inizia
giovanissimo come aiutante durante gli eventi promossi in discoteca, tanto da
rimanerne affascinato di quel “ lavoro ” ritenendolo un gioco. In seguito il suo
cammino prosegue come comparsa cinematografica e sceneggiati Rai, poi procede come scenografo, coreografo, costumista, direttore artistico sino a condurre programmi televisivi o come presentatore in manifestazioni di piazza e recite teatrali, critico cinematografico, teatrale, concerti, sfilate di moda e miss. Col passare del tempo acquisisce maggiore esperienza, gli si offre la responsabilità del
Piemonte, Valle d’Aosta, Liguria e Toscana di alcuni tra i più prestigiosi concorsi nazionali canori, sfilate di moda o elezioni di miss. La sua indole versatile e in continua evoluzione lo porta ad essere personal manager di cantanti e gruppi musicali tra questi, certuni già affermati nel panorama nazionale. Ha collaborato con le più importanti reti radiofoniche, portando loro interviste fatte a personalità note dello spettacolo, successivamente passa alle emittenti televisive rimanendovi a lungo dove scrive testi, ospita personaggi nei suoi
programmi e sovente conduce i medesimi con effetti di risonanza più che discreti,
ricordiamone alcuni:
MAGIKA (52 settimane televisive senza interruzioni più repliche)
IL CASTELLO DI ALÌ BABÀ (trasmissione mensile televisiva durata 15 anni)
CINEMA SHOW (talk show Centro Incontri Regione Piemonte 4 mesi)
La sua figura di personaggio dello spettacolo ormai consolidata e plasmatasi nel tempo gradualmente, prosegue all’interno di alcune Associazioni Culturali ricevendo incarichi come coordinatore generale o organizzativo, sino alla direzione artistica per i loro eventi. La sua formazione poliedrica ed eclettica nel settore dello spettacolo e amministrativo, lo conduce a sperimentare nuove esperienze lavorative, essendo da tempo appassionato di cinema, decide nel 1992 di seguire questo nuovo percorso pur non interrompendo il legame che lo unisce agli eventi degli spettacoli, dedicandosi alla sceneggiatura cinematografica come indipendente. Prendendo suggerimenti dalla realtà quotidiana, scrive testi con argomenti
considerati per molti produttori difficile da collocare e quindi non commercialmente redditizi, ciò nonostante questo, porta sugli schermi spaccati di vita contemporanea con finali alle volte ironici, andando contro gli schemi abituali. Nei suoi film fa recitare attori semiprofessionisti o
sconosciute persone comuni, in seguito questi, verranno ingaggiati da registi noti al pubblico
per i loro film. Da alcune sue sceneggiature furono realizzate commedie teatrali e film presentati ai più rappresentativi concorsi cinematografici nazionali ed esteri. Tra i suoi lavori sono da segnalare:
ALLE CINQUE DELLA SERA (drammatico, durata 90’)
VECCHIO…. INUTILE (drammatico, durata 9’ 30”)
SCHERZO DEL DESTINO (drammatico, durata 20’)
STRADE SPORCHE (drammatico, durata 100’)
Sicuramente il suo percorso ha avuto non sempre vita facile, ma non per questo si è arreso,anche quando doveva fare quadrare il cerchio per il pochissimo budget che aveva per i suoi lavori. Tuttavia questi ostacoli non le hanno mai impedito di continuare, anzi lo hanno spronato a raggiungere l’obiettivo che si era imposto. Su questo punto vi è un dato di fatto che oltre alla sua bravura, deve ringraziare tutte quelle persone che hanno creduto in lui per riuscire nei suoi propositi. Il suo spirito costantemente in movimento è in continua ricerca di nuove esperienze lavorative,seguendo questo settore in continua evoluzione.
Di lui si possono scrivere o spendere fiumi di parole a favore o contro, ma in una
cosa si trovano tutti d’accordo, la sua persona essendo oculata, fa si che quello che propone sia spettacolo che film, lo prospetta con cognizione di causa, cercando di spendere il meno possibile raggiungendo risultati soddisfacenti, non solo per lui, ma per coloro che gli lavorano insieme e credono in lui.
Contatti:lonevolfilm@gmail.com http://lonevolfilm.blogspot.com

The dispute review for Daniel Jordan

The Film Festival after Cinemambiente successfully completed in Turin (Italy), the details begin to be felt by people involved in documentaries for the six days of screening were the focus of public opinion. It 'happened to an article written by Silvia Ricci, noted on page forty TorinoSette on June 1, a supplement of the newspaper La Stampa, with the title - The water, commercial goods, the movie is Bottled Life. Documentary director Urs Schnell together with both reporter Res Gehriger elvetici, reveal some aspects on the gain of blue gold, documenting data and filming done in three countries (Meine U.S., Pakistan and Nigeria) in which a multinational operates. Nestle responds promptly (party), always TorinoSette this week, explaining their reasons are quite different on what the movie says. Certainly, the Environmental Film Festival Cinemambiente Gaetano Capizzi is followed closely by those involved, now is to follow the developments of the story, if there are developments.

Turin (Italy), June 8, 2012

FIFTEEN YEARS, SEEMS TO YESTERDAY (Envireonmental Film Festival) Review of Daniel Jordan

Even the Italian television with his Cinderella, directed by Carlo Verdone, made the world see in vision, much less the crisis could stop the flow of its many visitors paying a nominal price, which in these times it helps to support the 'long-awaited event: the Environmental Film Festival Cinemambiente 15 °, as always here in Turin (Italy). Numerous other initiatives to educate, sensitize and protect our world, making it more livable as possible. During the screenings there have been suggestions to do so. Cinemambiente, masterfully directed by Gaetano Capizzi, who has always believed in his project from its very beginning, organized by the Museo Nazionale del Cinema in Turin with the primary objective inherent in the current malaise of the planet and the environment. Fifteen years have passed since its first appearance, but has not changed one iota his goal, rather it has strengthened over time showing that together we can do more and better. The work done by Capizzi was meticulous. Perhaps the beginning of his long journey, he did not think the world could be sensitive to environmental directors, has had to reverse it, after having received so much material to be selected and this allowed him to continue the journey undertaken. The initial commitment was large, arduous, but ultimately their efforts have fallen short of expectations, the sponsors are on his side, this festival is going to last because it is the first in Europe is that environmental issues and not coincidentally coincides with World Environment Day, supported by UNEP (United Nations Environmental Programme) of the Festival is an official partner. In the six days of programming has witnessed a series of films in competition. The director Josh Tickell and Rebecca boldly presented - The Big Fix - winning film of this year, says the disaster of the properties of Brithis Petroleum platform off the coast of Mexico, multinational and tragedy silently shrugged off by Head of State , sanded, it is appropriate to say since most of the beaches were covered with sand to further hide the oil spilled, causing many economic problems, political and health to the inhabitants. It will be very difficult for this movie is screened in the States. In the past suffered the same fate in the film: The Cove, in Japan. A movie not to lose sight of the complaint. Speaking of climate change James Balog, National Geographic photographer, wants to capture with his shots, the retreat of glaciers due to global warming. With the film - Chasing Ice - Extreme Ice Survey project starts, placing many cameras at the North Pole, which will be triggered for a year storing photographs shot after shot retreat of glaciers on our planet (and also awarded two honorable mentions). Bravo also the director Jeff Orlowski espousing the cause that, Balog has followed throughout his career defying the less polar temperature of 40 degrees. The production is the same as The Cove, we recommend everyone to see them both. Tony Geraci, the name, maybe you can not say anything, but to eighty-three thousand students in Baltimore! Cook in New Orleans, head of the table for all city schools, create a project involving students, teachers, parents, farmers and chefs trying to change the food habits, eating healthy food, freshly prepared and packaged foods using , the director Richard Chisolm, was able to propose a prize with the winning films: The Man Cafeteria director Raffaella Bullo, with - farmers to be freed - wins a prize. It tells a story of organic farming, up to now nothing exceptional, but if the maintenance services of green areas, environmental education are backed up by people with mental disorders, who are trying by this to their own psychological rehabilitation, making it very well could be different our way of thinking. If you want to see the slaughter of the workers in the industry, following its chain, so the film's director Manuela Frèsil - Entrée du Personnel - is right for you, paying attention to the downside, as it may make the man a machine (remember the movie Modern Times Charlie Chaplin). Up Next: Little Land of Michele Trentini; The cruise director's banana peels Unless Manzone, The Well of Paolo Barbieri and Riccardo Russo, a praise to the film - Ciar cume of water Lamber - Elena Maggioni Federica Orrù and Hulda; a special award to the film's house tomorrow. Cinemambiente, does not stop here, before turning off the lights on the projector, wants to end the show with a spectacular film, premieres for Italy - Life in the oceans - the directors Jacques Perrin and Jacques Cluzaud is a journey along the marine life, takes us in the depths of the sea and their habitats, harmonious in its silences, made by sounds and colors that only mother nature can mix.
This is a story of what happened in Turin in six days of the Festival, this is what he has been able to give us Gaetano Capizzi, not alone but surrounded by a team of young people, prepared in their job to do, kind and always available the public, thanks to what is nothing short of play! This year the slogan recited, Nature & Smart, maybe it was better to write: Nature is intelligent ... but we are very intelligent ... This is a question everyone should ask! We do not just have to say to all those who attended the Festival and those who did not intervene: See you next year!
Turin (Italy), June 7, 2012

This review has been translated by Google

FILM FESTIVAL review for Daniel Jordan

From 31 May to Turin (Italy) as usual kicks off the event, the Environmental Film Festival, is the 15th edition of Cinemambiente will end on June 5 in conjunction with the World Environment Day. Six days are presented, intense film closely tied to the environment, many are the projection of an international topic. Being first or last row of the cinema this time does not matter. Import the sensitivity of each person, after seeing the vision of the projections would bring him into the little or as much gained by what was transmitted and became spokesman and more responsible, doing their bit without destroying our planet. In doing so perhaps we can keep him alive for some time ... after all is the only one we have, so we should treat it with ease and intelligence. This year's catalog cover depicts a section of a tree trunk, but with due fantasy could describe the exploded view of an urban map, and what about that sculpture made of recycled material in place near the entrance and the Mole the Museum of Cinema? Commends what it was us! Born out of nowhere, a homunculus suck the nectar of this phantasmagorical fruit to bring him all the juice of which is capable of offering. However, the long-awaited festival will take us, as always, the twists and turns dark mali of the planet Earth. It will be the writers, directors, actors and others to translate visually so reprehensible that our planet is suffering today, any positive or negative thought should lead us to think, reflect and then act quickly and in a hurry, because what show us pictures are to be considered seriously. Even this year could not be otherwise. One of the Hall Cinema Massimo, packed for the official guests to name just one, the mayor Piero Fassino (perhaps sheltered commitments unlike other Councillors) before the screening of the film - CHASING ICE - directed by Jeff Orlowski says businesses photographer James Balog for National Geographic, through his evocative and chilling (it must be said) shots from the North Pole photographically documenting the changes of glaciers caused by global warming. In seventy-five minutes of projection, in addition to the message delivered, you will see what nature, though devastated by global warming, creating scenarios and unusual forms of ice, immortalized frames unique, fascinating and terrifying. The soundtrack is sung by Scarlett Johansson. To the Director of the festival was called, although the global crisis looming on the culture, Cinemambiente continues undaunted on his way, having established itself well in school, the only answer - the youth of tomorrow will have to face our failings, so much so that EcoKids section dedicated to the boys as always, will open with a preview - Lorax, the guardian of the forest - a 3D film of sample collection in America. A festival was born, grew up and wanted by Gaetano Capizzi and his tireless staff, to which all our support goes: Do not stop, go on!
Turin (Italy), June 1, 2012
This translation is provided by Google translator

THE FLIGHT OF THE BUTTERFLY review for Daniel Jordan

How many times do you guys have to be chased butterflies in the meadows. See them flutter trying to grab them to watch them closely and see the beautiful colors that "Mother Nature" has imprinted on their fragile wings. You are able to grasp one, keep it prudently for the wings laid it gently on the palm of your hand to scrutinize closely the varied beauty of the colors ... trying not to creasing ... and then always with the palm of his hand you decide to let her go on her back ... to fly among the flowers of the meadow. With an open palm gesture and the throwing up. Alas, despite your kindness, you made the biggest mistake for him! Stay surprised to see that the butterfly is not weak as it flies around, has remained on your hand that you had lovingly toward it without them in the slightest damage to its fragile structure. This is because nell'afferrarla has removed the powder that you have left from your fingers! The butterfly can not fly anymore, his fate is sealed ... there is no remedy! It is not the moths that means speaking questo'articolo, although it was designated a name similar to the children, the so-called: Butterfly Children. These are children who suffer from a rare genetic condition called Epidermolysis Bullosa (EB), in the world are more than 500,000 of which 1,000 only in Italy. Named for the fragility of their skin is similar to the wings of the butterfly. A simple and loving caress is likely to hurt them, can not do the simplest daily activities like walking, eating or simply getting dressed. That's if they survive, but as soon as born? Parents can not move without the bruises to affect it, they can not embrace them with love that would always constantly against their long and painful daily dressings. These are the Butterfly Children. The non-profit organization Debra Italy, consists of a group of parents in 1990, is aimed entirely at no profit to aid, to ensure services and support to patients and their families in medical care for the welfare of the sick and spread the professional knowledge to the media and elsewhere, the disease of E B. With this preamble, and, from an idea of ​​Moreno Stefanini, has organized a show in favor of Debra's and Children's Butterfly at Teatro Polisportiva High Toll in Castiglione Torinese, in the room the lights go down giving space to the screen, showing disturbing images of how their day was told by anguished mother with eyes full of tears! E'uno of the many ways to raise public awareness, certainly the evening goes to charity is not on this issue but with the talented singers, Mattia Inverni, Valentina Tesio, Fabrizio Voghera, Sergio Moses and Sergio Stefanini that together have the same enthusiastically embraced the cause of singing songs, running stills from major musicals such as Notre Dame, Moulin Rouge, Romeo & Juliet, Dreamgirls, The Ten Commandments, The Divine Comedy and more. A delightful musical show, pleased the public spoke at the point of asking all singers to give an encore, the interpreters have refused, even acceptable and, perhaps going home continues to reflect some of those present.

Turin (Italy), May 17, 2012

(The articles was translated with Google translator)

SIT or SIT review for Daniel Jordan

How many times have we used an object for the sole purpose of using it. How many times have we faced the problem of analyzing the object. Never, perhaps only a few times! Take for example a trivial chair, What's so special apart from its vintage styles or forms. It is made to sit, this is the only purpose of that object.Seeing the show staged by FLIC Circus School of Turin, is not so!Students in the 2010-12 biennium professional assisted by some writers, with the creation of sets of Roberta and Daniel Scamuzzi Pellizzon, under the technical direction of Andrea Avoledo, went beyond the four legs of the chair making it the protagonist of the evening. All together they have gutted the soul that makes it. At the opening of the evening, all quest'accumulo of chairs including supervisors, those present wondered what was so characteristic of her than many conformations, one sits down because he was tired, period! Not so! The show highlights the fact that no one sits usually because he's tired, maybe because he decided to surrender, or otherwise arrived, he was getting at. Do not stop there! These are some of the motivations or facets that the boys wanted to offer an attentive and packed in two days of representation, expressing it in a nice way with her teacher, do not forget that their interpretation is based on Art Circus. A highlight of the show is called, is that two students jokingly finding two identical chairs have improvised a song typical of Tyrol and the Swiss Alps: Jodel. Drafted by the director shall immediately become a pleasant interpretation circus. In closing, to the applause of the audience, the students wanted to give the director Jordi Aspa directed to this interesting and followed them in this spectacular wonders, a painting depicting Crock, perhaps the most coveted prize in the Art Circus! Many names of the performers, all definitely not prepared in their performance, a tribute to the two years he has been able to make them so.

Turin (Italy), April 30, 2012

THERE 'NERENTOLA? review of Daniel Jordan

There are many amateur companies, one of these is the Association icon, which puts on musicals, that's strange you say?There is that unlike other have taken a clear objective: to work for free, dedicating their performances to a noble purpose, that is, allocating the proceeds to charity for charity projects. We saw them in: There Nerentola? A musical comedy that takes the audience to follow the path of the original folk tale probably China, already present in the Egyptian tradition, told in hundreds of versions in most of the world. The company Icon, staged this show in allegorical, the canvas is targeted with a specific intention: to make people laugh at a time of social crisis and growing increasingly difficult, trying to create a moment of leisure. Spoofs inspired pieces consolidated as the "Library of Studio One" and then the intersecarci "The Count of Monte Cristo" and to make matters worse, "The Three Musketeers" and again "The Odyssey" and so on. The choice is not random, fell on one of the most famous fairy tale "Cinderella" over 300 and their variants, with intelligence have ranged joyfully on the texts and songs, films, musical comedies known to the public. Directed by Duilio Brio (as also the role of the Stepmother), on texts by Maximus Ferrarotti, have managed to combine a pleasant Cinderella, played by Fiammetta Parri, Prince, inevitably color blue is Mark Caligaris, the two sisters are Roberto Cafagna and Mark Ostorero the Queen is Angela Bernasconi, in history, there may be a Carletto by the name of Raffaele Cafagna, the policeman then called a Herald Matteo Giunti, as in all fairy tales there is one, Paola De Martini plays Smemorina, we have a Michael Jackson that corresponds to Valerio Viscomi; Luke Duke Francesco Roccato, in the role of Sor Cino, Roberto Latino; mice and Giac Gras Bread and Federica are Stefano Carlino (the latter as also the role Countess of Frivolessa), the Marquise De Deumpa Romoli is Silvia, Countess Martinengo arsenic starring Cristina, and then again the vendor by the name of Fabrizio Ferrarotti; not to miss anything, the Dancers: Elisa Bonomo, Frances Milo, Valentina Monchiero; Stephanie Muraca, and if this were not enough there was still the people who also served as chorus: Rossana Bergini; Nico Ferrero Ferrero Rebecca, Andrea Iorio, Maurizio Picatto and finally Clare Roccato. A show suitable for families, loved not only the children, who have invaded the hall of the Herald Theatre in Turin with their parents.

Turin (Italy), April 6, 2012
Posted by lonevolfilm@gmail.com - BLOG http://lonevolfilm.blogspot.com

THE HEIR OF EDUARDO DE FILIPPO review of Daniel Jordan

Docks at the pier of the Teatro di Torino Monterosa the boat of theboatmen, theater company that plows the sea for decades of stage,bringing comedy by Eduardo De Filippo and beyond. On this occasion puts on a play that Pirandello more Edwardian, entitled: I,the heir. This mixture makes the piece even more compellingbecause it sees an heir to claim his inheritance, claiming a heritagethat the emotional and sentimental father built in thirty-seven yearsspent as a guest of a family. The presumed heir, to inherit the estate, will have to pull out the skeleton that the family hides in the closet and use it wisely in your favor. Speaking with Gigi Nigro,spokesman and actor in the company The boatmen, explains thatthis is the first time they stage the play, so this work is still a work in progress, but this matters little all'affezionato public has enjoyed andapplauded generously supporting the company confidently. The performers on stage: the good Pippo Rausi; Eva Rossi, ManuelaTomasi; Ivana Zilli, Fulvio Trivero (with Gigi Nigro he directed), followed by Silvia Elias, Hugh Fiamingo, Federica Cabinet maker,Vincenzo Servillo, Elena Ceria, Teresa Amaro. Technical, ChristianAlessi.

Turin (Italy), March 13, 2012

MIND the Juggler Mentalist, review of Daniel Jordan

The show Mind Juggler theater Housewife Cardinal of Turin has been incredible to say the least. At the opening, it took three bags of paper, those used by shops to inside purchases, made ​​by his assistant, described as "very professional" board stage, the simple handbags have been made ​​evident by the charismatic and extraordinary Francesco Tesei, the juggler's mind. He held forth for about two hours by involving the public chosen at random from his inseparable assistant Nemo, a cute goldfish fabric. On Tesei, influential people are in a manner favorable to him, never enough I say. An artist trained in every gleaning, attentive to learn the signals that come out unconsciously by the body individual tramutandone messages to their advantage, surprising the audience. The grace of movement, the quiet voice, the pose nicely with it makes the viewer follows her every movement, every syllable, does not want to miss any moment since it is also in the show and of course makes the game that deliberately Francesco Tesei wanted. It 'exhibition to be seen not to be described, it is difficult to comment. We tried!

Turin (Italy), March 13, 2012

... Review There are no superlatives (now exhausted), appropriate to describe the amazing show - Mind Juggler - Francesco Tesei, the juggler of the mind! The academy should coniarne bran new for him! (Daniel Jordan Posted by lonevolfilm@gmail.com - blog http://lonevolfilm.blogspot.com)

RICHARD III and his last game of chess, review of Daniel Jordan

With Richard III closes the tetralogy, W. Shakespeare wrote, leading to the passage of the Plantagenet dynasty to that of the Tudors. Wikipedia defines that chess is a strategy board game played by two opponents. Unlike the strategy and applying it to play one, maybe with the game could decide the fate of others, simply by using the board to your advantage. Richard III is certainly achieved his goal by maneuvering the pieces without playing, trying to regain power to him removed. A meticulous work above all expectations, the Associated Artists Paul Thirty have been able to merge nicely. The lights of Peter Striano, scenes of Elisa Perrone, Daniela Rostirolla costumes, videos Fabrizio Luzzo, Roberto Franco, Luca Albano, graphics Antonio Strollo, matching the color of the music played live by Gilson Silveira and Press the group Samba make smooth the tragedy. Elena Cortese, sneaking in a tragic poem has proved difficult with the direction of being able to present a show that goes over the lines since the simple but effective set design on the visual aspects of the public, putting movies together to share in making the viewer making scenes enter into the drama with pictures! In order of appearance, characters and performers are: Richard III, played by the excellent Lawrence Audisio; gradevolissimi are the actors: Lady Julia Anna Aragno and Clarence Robert Carelli, Hastings in the shoes of Anthony Strollo, Buckingham is Roberto Briatta the Queen Elizabeth Serena is Inturri: the role of Margaret Susanna Gianandrea covers it, I have Sicari: Gianpiero Fogliani Fusco and Clare and King Edward plays the role of Angelo Rubatto, the mayor, Umberto Biagini; Tyrcliff, Rita Bags and finally Richmond is Antonio Cardinals.
Do not we know about Elena Cortese against those who had played the game, certainly not with the public as many spectators, his move, that is, his show, to permit to checkmate the opponent.

Turin (Italy), February 8, 2012

NAPLES millionaire, a text by Eduardo De Filippo's review of Daniel Jordan

Presented recently at the Theatre Housewife Cardinal of Turin, directed by Antonio Giuliano of the company I Melannurca. A performance in three acts brightly colored, sometimes strong, the scenario is the Naples during the war, noting the poverty of the inhabitants and how to pull a living and surviving hunger 'uselessto tell the play between these lines, this perhaps the mostbeautiful masterpiece written by the author of which remainsmemorable phrase: Love It's to be expected from changes' tonuttata! However, what should be said about the company IMelannurca, is that all actors (including new entries) entered in the dignified manner. Comedy in three acts, the companyproceeded in a steady crescendo, coming into harmony with the audience, showed no coincidence that the last act, one with theaudience, imparting bitterness that the protagonist has to his wifeAmalia, greedy unscrupulous, she repents realizing it was wrong,weeping over his mistakes, as if all this were not enough, enters the scene to give the coup de grace Spasiano accountant,showing up at his house with a drug unavailable in Naples all this,can save the life of her child, he concludes with the phrase: "Whofirst, or later, everyone has to knock on the door of another." The husband Gennaro Jovine (Antonio Giuliano), though touched byher deep sadness full of all these vicissitudes, infecting the audience forgives ... commuovendoli ... almost in tears! Not everyone ... but they convey these emotions, Melannurca I did!

Turin (Italy), February 8, 2012

Dedicated to ETTA JAMES, blues legend review for Daniel Jordan

On the door there's the poster advertising an evening in ViaBelfiore, 1a Turin (Italy), a local from the singular name: theBazura, but of this we will talk about details in a future review.Regardless of this the public was hurries as a reminder for those who love or simply forced to spend a night on the blues.She, bursting with vitality from every pore, while showingdressed in black kimono with white flowers, keeps us in a special way to say that the kimono is original, purchased the center in Tokyo to be exact. He likes to present itself duringcountless shows dissimilar dress blues, but the dress is not that we want to cling, but Monica Genesio and his fantastic voice with melodic tones, always interested in digging up every single color and taking in all the most subtle emotional nuances, acaptivating sex appeal, almost addictive for aficionados of thegenre, just watch his performances to perceive. The sound aspect emerges from the sound of the guitar skillfully played by Luigi Tempera, resulting in emissions of key acoustic sounds inauditory effects surprising. Both surged from his own experience being perfectly at ease. Thus began the concertbetween the serious and humorous to Monica Genesio, in this scenario recycling of authentic, furnished with disused materialsof which it is proud Bazura, courses supporting reuse ofmaterials, from the colorful and diverse environment,appreciated by the condition public of the Turin club. Genesio,sings with passion and evident pleasure in which the playing requirements are very strict. Today more than ever, perhapsdedicating the evening to the figure of a great artist: a blues legend Etta James.

Turin (Italy), January 23, 2012