TANGO, MONSIEUR? review DANIEL JORDAN

The theater company The Argonauts are back to the stage, they do so with his comedy Tango, monsieur? A work written by Aldo Lo Castro in the eighties, the director Alessandra Gorga reformats the text to fit his personal style, not only wanted in this play some of his students at the end of the course without relegating them to secondary roles, but in placing shares -primary or primary, confident of their teaching and their learning. The sight of him because it goes without saying the topic is a comedy full of ingredients to suit the taste of a diverse audience in this humid evening of the solstice. The humor is in steps of embarrassing situations that revolve around the desire of a man who in one fell swoop would get rid of his wife and two girlfriends, with a gimmick that will backfire on him. During the dialogues of the farce, do not be fooled by the faded unobtrusively and not because the music is actually personally by the director wanted to convey that effect making it more livable Flash Back to the scene. Entrants have supported well the impact of the stage and with it the part assigned beginning with Silvia Benvenuto, Sara Torielli, Marcello Perri, not least the sparkling waitress played by Paola Ivaldi closing the play with an unexpected gag, certainly from the minds brightest of those who adapted the text: Alessandra Gorga. The sparkling new actors supported by Palmina Resina, while the role of so-called spoils that females could not assign the eclectic and talented Danilo Torrito for those who know him know he can immerse themselves in any suit that the script requires. The theater company The Argonauts has another peculiarity in addition to the skill, one that breathes behind the scenes, the live atmosphere that other components do not have or do not know how to outsource. This company is growing not only in number, perhaps for the jolly harmony that transpires during the sweat test and its wonderful staff, but always under the watchful eye of director. The technical support of this representation is carried out by Giuseppe Greco, M. Elena Scardaci, Pino Rizza.